Free Delivery Over $100
|
|
|||
|
||||
OverviewBetween 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Classified in archives, collected in personal albums and circulated in illustrated magazines, photographs were supposed to tell the story of the war. This book argues that photographic practices also shaped combatants and civilians' war experiences. -- . Full Product DetailsAuthor: Dr Beatriz PichelPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 13.80cm , Height: 1.60cm , Length: 21.60cm Weight: 0.463kg ISBN: 9781526151902ISBN 10: 1526151901 Pages: 272 Publication Date: 25 May 2021 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction 1. Recording. The photographic archive of the war 2. Feeling. Private, Official and Press Photography as Emotional Practices 3. Embodying. The multiple meanings of the body of the combatant, the mutilated and the dead 4. Placing. Imaginative geographies, photography and the sense of place 5. Making visible and invisible Conclusions Bibliography List of primary sources Index -- .Reviews'Likely to mark a significant turning point in how photographs are used and viewed as historical sources. [...] Dr Pichel has opened up a new dynamic way of thinking about photography in terms of emotion, relationships and the rituals of photographic practices.' James Downs, Photographica World Magazine (April 2022) -- . Author InformationBeatriz Pichel is Senior Lecturer in Photographic History at De Montfort University Tab Content 6Author Website:Countries AvailableAll regions |
||||
