Picture World: Image, Aesthetics, and Victorian New Media

Awards:   Winner of Honorable mention, BAVS Prize for a Second Monograph from The British Association for Victorian Studies.
Author:   Rachel Teukolsky (Associate Professor of English, Vanderbilt University)
Publisher:   Oxford University Press
ISBN:  

9780198859734


Pages:   480
Publication Date:   15 August 2020
Format:   Hardback
Availability:   To order   Availability explained
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Picture World: Image, Aesthetics, and Victorian New Media


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Awards

  • Winner of Honorable mention, BAVS Prize for a Second Monograph from The British Association for Victorian Studies.

Overview

Full Product Details

Author:   Rachel Teukolsky (Associate Professor of English, Vanderbilt University)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 16.50cm , Height: 3.00cm , Length: 24.00cm
Weight:   0.932kg
ISBN:  

9780198859734


ISBN 10:   0198859732
Pages:   480
Publication Date:   15 August 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction: Visual Culture in the Victorian Mediascape 1. 'Character': Flat, Zany, Grotesque: Caricature and the Politics of Character 2. 'Realism': Realism's War Pictures: Reality Effects in the Illustrated Newspaper 3. 'Illustration': Orients of the Self: Bible Illustration and the Victorian World Picture 4. 'Sensation': Cartomania: Sensation, Celebrity, and the Photographed Woman 5. 'Picturesque': The Picturesque in the Stereoscope: Nature, Touch, Time 6. 'Decadence': Consuming Decadence: Advertising and the Art Poster Conclusion: Cinema in 1896

Reviews

All in all, this is a highly valuable contribution to current scholarship in Victorian media studies and it will prove to be an enlightening read for all. * Ester Diaz Morillo, British Association for Victorian Studies Newsletter *


Teukolsky's ambitious and conceptually adventurous book seeks out the history of persistent representation codes within a cross-disciplinary study of Victorian new media and offers a major re-evaluation of overlooked mass-circulation visual culture. The range and detail of her study in the individual chapters is supported by an excellent introduction that offers a cross-disciplinary summary of possible critical approaches. The book is beautifully produced and surprisingly cheap, a major asset as it deserves to be read by as many Victorianists as possible. * Brian Maidment, Victorian Periodicals Review * Picture World plunges the reader into a world of visual art that crosses the boundaries between high and low art, surveying these objects while also explaining the culture that made them and made their collection possible. A delightful achievement. * Dr. Frederick D. King, Review 19 * All in all, this is a highly valuable contribution to current scholarship in Victorian media studies and it will prove to be an enlightening read for all. * Ester D´iaz Morillo, British Association for Victorian Studies Newsletter * Picture World is a considerable achievement. The book is generously illustrated, capaciously and convincingly argued, and thoroughly researched. It will serve as reference guide, teaching tool, and source of provocative ideas to which students and researchers will often return. * Margaret Linley, Victorian Studies Vol 64.4 *


Author Information

Rachel Teukolsky is an Associate Professor of English at Vanderbilt University. Her research focuses on aesthetics, visual culture, and media history in nineteenth-century Britain. She received her undergraduate degree from Harvard University with a double major in English and Art History, and subsequently received a PhD in English literature from the University of California, Berkeley. She is author of The Literate Eye: Victorian Art Writing and Modernist Aesthetics (Oxford University Press, 2009), awarded the Sonya Rudikoff Prize in 2010 for best first book in Victorian studies.

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