Overview

From devotional practices and the commercialization of sacred imagery to the scientific cataloging of religious traditions, this thought-provoking publication explores the multifaceted role of photography in constructing and preserving religious identities and beliefs in past and present. The contributions explore the theological reception of photography, its use in artistic and festive contexts, and photographs’ material qualities as objects of devotion and cultural artifacts. Richly illustrated and featuring interdisciplinary insights from art history, religious studies, anthropology, and media studies, Photographic Practices and the Making of Religion provides an essential resource for scholars and readers interested in understanding the intersections of religion, visual culture, and modernity.

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9783111208367

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Moritz Lampe studied art history at Leipzig University and Sapienza University of Rome. He was a doctoral fellow at the Kunsthistorisches Institut in Florence (Max-Planck-Institut), the Warburg Institute in London, and the Università degli Studi di Firenze, where he completed his PhD with a thesis on Renaissance art theory in 2015. 2016-2020, he worked as a researcher and archivist in the photo library of the Kunsthistorisches Institut in Florence. Following this, he conducted a postdoctoral research project on photography and religion in Italy, funded by the German Research Foundation (DFG). Since 2023, he has been the liaison librarian for Art, Photography, and Design at Bauhaus-Universität Weimar.

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