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OverviewFull Product DetailsAuthor: Sylvie Magerstädt, Senior Lecturer at the University of HertfordshirePublisher: Rowman & Littlefield International Imprint: Rowman & Littlefield International Dimensions: Width: 15.30cm , Height: 1.50cm , Length: 23.00cm Weight: 0.313kg ISBN: 9781783482511ISBN 10: 1783482516 Pages: 208 Publication Date: 15 December 2014 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgments / Abbreviations / Introduction: Philosophy, Myth, Spectacle / Part I: How Real is Reality? - A Review on the Relation of Reality, Art and Illusions / 1. From Dream Factory to Cathedrals of Pop Culture: Mythological, Religious and Ideological Approaches to Cinema / 2. The Realm of the Real: Reality, Images and Cinematic Realism / 3. Back to the Future? Contemporary Cinema and the Challenges for Theorists / Part II: May We Really Believe in Hollywood? - The Creation of Modern Myths / 4. Redemption Through Illusion: Cinematic Myths / 5. Healthy illusions: Hollywood’s Realism and the Return of the Epics / 6. Possible Worlds, Impossible Narratives?: The Potentials and Limits of Digital Storytelling / Epilogue: Further Reflections and Further Directions / Bibliography / Filmography / IndexReviewsAn important contribution to the study of contemporary Hollywood cinema and an original gift for lovers of cinema and philosophy. -- Joram ten Brink, Professor at the University of Westminster This work breaks new ground in its analysis of mythological epic as a (re)emergent film genre that addresses perennial human problems, often with the aid of fantasy-worlds that can be depicted more convincingly with new visual technology. Magerstädt reconsiders aesthetic theorists such as Kracauer, Deleuze, Nietzsche in light of these developments in epic film and Tolkien's arguments about the functions of fantasy -- with results that will be rewarding for students of philosophy as much as film theorists. Her innovative argument ultimately links the creative use of illusion to the redemptive power of mythic narratives. The resulting analysis of recent films in the broad mythic genre helps show, pace the dominant elitist view in film aesthetics, that popular blockbuster films can sometimes be serious art. -- John Davenport, Professor of Philosophy, Fordham Univeristy An important contribution to the study of contemporary Hollywood cinema and an original gift for lovers of cinema and philosophy. -- Joram ten Brink, Professor at the University of Westminster Author InformationSylvie Magerstädt is a senior lecturer in media cultures at the University of Hertfordshire. Tab Content 6Author Website:Countries AvailableAll regions |
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