Phantom Limbs: On Musical Bodies

Author:   Peter Szendy ,  Will Bishop
Publisher:   Fordham University Press
ISBN:  

9780823267057


Pages:   208
Publication Date:   02 November 2015
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Phantom Limbs: On Musical Bodies


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Full Product Details

Author:   Peter Szendy ,  Will Bishop
Publisher:   Fordham University Press
Imprint:   Fordham University Press
Dimensions:   Width: 14.00cm , Height: 1.80cm , Length: 21.60cm
Weight:   0.358kg
ISBN:  

9780823267057


ISBN 10:   0823267059
Pages:   208
Publication Date:   02 November 2015
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Introduction 1. Interpreting Bodies 2. Effictions 3. Organologics (1): The Erasure of Bodies 4. Touch Ups, or the Return of Bodies 5. Idioms, Or the Dialect of Bodies 6. Monk, A Legend 7. Traces of Fingers 8. Digital Rhetoric 9. Ablations and Grafts (""Too Many Fingers"") 10. Romantic Fingers (""System of Touch"") 11. Feet 12. Joyful Tropiques (Evolution, Revolutions) 13. Two Dispatches (One Fictive and the Other Dreamed Up) 14. Organologics (2): Autophony 15. Genesis (1): Ocular Harpsichord, Organ of Flavors 16. Telepathy 17. Scruples (Clones and Stand-Ins) 18. Conducting (Seen From the Back) 19. Genesis (2) : Fantasia, or ""Plasmaticity"" 20. Touching from Afar 21. Organologics (3): Areality 22. Bodies Electric 23. Mass Formations 24. P.S. Notes"

Reviews

GCGBPA very original discussion of the production of the body through music. Szendy takes up a variety of musical practices in their fascinating and little-known history.GC[yen] GCoSusan Bernstein, Brown University A very original discussion of the production of the body through music. Szendy takes up a variety of musical practices in their fascinating and little-known history. --Susan Bernstein, Brown University A patient meditation on the musical body. Szendy provides a stunning reading of the digital history of the finger, or 'digit.' We witness the multiplication of digits, the multiplication of hands and fingers, the regulation of bodies in the hope of having as many fingers as we need to play on the keyboard. But there is more to musical bodies; there are the virtual bodies of instruments who would play without contact of touch, repeating the motion of music that touches us through the ether, and there is the body of a conductor, who governs the body politic that is the orchestra. This is a compelling study. --Gil Anidjar, Columbia University The first truly comprehensive critique of organology--the study of musical instruments as related to the human body. A smart, lucid and original study, translated superbly by Will Bishop. --Richard A. Rand, Professor of English Emeritus, University of Alabama


A very original discussion of the production of the body through music. Szendy takes up a variety of musical practices in their fascinating and little-known history. --Susan Bernstein, Brown University A patient meditation on the musical body. Szendy provides a stunning reading of the digital history of the finger, or 'digit.' We witness the multiplication of digits, the multiplication of hands and fingers, the regulation of bodies in the hope of having as many fingers as we need to play on the keyboard. But there is more to musical bodies; there are the virtual bodies of instruments who would play without contact of touch, repeating the motion of music that touches us through the ether, and there is the body of a conductor, who governs the body politic that is the orchestra. This is a compelling study. --Gil Anidjar, Columbia University The first truly comprehensive critique of organology--the study of musical instruments as related to the human body. A smart, lucid and original study, translated superbly by Will Bishop. --Richard A. Rand, Professor of English Emeritus, University of Alabama


Author Information

Peter Szendy is David Herlihy Professor of Humanities and Comparative Literature at Brown University and musicological advisor for the concert programs at the Paris Philharmonie. His books include Of Stigmatology: Punctuation as Experience; All Ears: The Aesthetics of Espionage; Apocalypse-Cinema: 2012 and Other Ends of the World; Kant in the Land of Extraterrestrials; Hits: Philosophy in the Jukebox; and Listen: A History of Our Ears..

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