Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach

Author:   Karl Hochreither ,  Melvin P. Unger
Publisher:   Scarecrow Press
ISBN:  

9780810842588


Pages:   240
Publication Date:   03 April 2002
Format:   Hardback
Availability:   Out of print, replaced by POD   Availability explained
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Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach


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Overview

"A translation of Karl Hochreither's book ""Zur Auffuhrungspraxis der Vokal-Instrumental Werke Johann Sebastian Bachs"" (Merseburger, 1983); this book sums up insights gained in a lifetime of researching and performing Bach's cantatas and oratorios. The author treats primarily the area of performance practice, relating the historical evidence to present-day actuality and thus helping practicing musicians make the necesssary decisions. The book provides path into the literature (particularly that of the 18th century) so as to enable the interested reader to broaden their knowledge. It is an important contribution not only for Bach scholars but also for conductors because it succeeds in combining a thorough working knowledge of Bach works with scholarly research. The result is a book that remains readable, with direct practical value, but has a depth of insights into the cultural milieu of the music. It pursues style authenticity without falling into the trap of rigid, reductionist historicism. The book's approximately 50 figures, references to individual works of Bach, copious documentation (nearly 600 endnotes), and two indexes should make it an invaluable research tool for scholars and performers alike."

Full Product Details

Author:   Karl Hochreither ,  Melvin P. Unger
Publisher:   Scarecrow Press
Imprint:   Scarecrow Press
Dimensions:   Width: 14.30cm , Height: 1.80cm , Length: 22.30cm
Weight:   0.367kg
ISBN:  

9780810842588


ISBN 10:   0810842580
Pages:   240
Publication Date:   03 April 2002
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Out of Stock Indefinitely
Availability:   Out of print, replaced by POD   Availability explained
We will order this item for you from a manufatured on demand supplier.

Table of Contents

Part 1 1. Continuo Practice Part 2 2. Regarding the Instruments Part 3 3. Regarding the Question of Scoring Part 4 4. Marginal Remarks Regarding Performance Part 5 5. The Chorale in Bach's Vocal-Instrument Compositions and Its Interpretation

Reviews

The book is full of useful references...Much credit should be given to the translator, Melvin Unger, for clarity of the English text...a convenient guide for performers looking for ideas for 'authentic' interpretation...represents essential reading for everyone seriously engaged in the performance of Bach's works as well as those of his contemporaries. Eighteenth-Century Music I would certainly include the book in a recommended reading list. Musical Times Pertinent and interesting reading!detailed and perceptive research. Early Music Today In my mind, I have no doubt that this book is an essential reading for everyone who is engaged in performing Bach's works. Bach Bibliography It is the rare organist or choir director who will not be informed or challenged by reading this book. The American Organist


The book is full of useful references...Much credit should be given to the translator, Melvin Unger, for clarity of the English text...a convenient guide for performers looking for ideas for 'authentic' interpretation...represents essential reading for everyone seriously engaged in the performance of Bach's works as well as those of his contemporaries. Eighteenth-Century Music I would certainly include the book in a recommended reading list. Musical Times Pertinent and interesting reading...detailed and perceptive research. Early Music Today In my mind, I have no doubt that this book is an essential reading for everyone who is engaged in performing Bach's works. Bach Bibliography It is the rare organist or choir director who will not be informed or challenged by reading this book. The American Organist


Author Information

Melvin P. Unger, Director of Riemenschneider Bach Institute, is Professor at Conservatory of Music: Riemenschneider Chair in Music History and Literature at Baldwin-Wallace College, Berea, Ohio.

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