Awards

• Joint winner for American Sociological Association Sociology of Culture Section: Mary Douglas Prize 2011.
• Joint winner of American Sociological Association Sociology of Culture Section: Mary Douglas Prize 2011

Overview

The U.S. death penalty is a peculiar institution, and a uniquely American one. Despite its comprehensive abolition elsewhere in the Western world, capital punishment continues in dozens of American states - a fact that is frequently discussed but rarely understood. The same puzzlement surrounds the peculiar form that American capital punishment now takes, with its uneven application, its seemingly endless delays, and the uncertainty of its ever being carried out in individual cases, none of which seem conducive to effective crime control or criminal justice. In a brilliantly provocative study, David Garland explains this tenacity and shows how death penalty practice has come to bear the distinctive hallmarks of America's political institutions and cultural conflicts. America's radical federalism and local democracy, as well as its legacy of violence and racism, account for our divergence from the rest of the West. Whereas the elites of other nations were able to impose nationwide abolition from above despite public objections, American elites are unable - and unwilling - to end a punishment that has the support of local majorities and a storied place in popular culture. In the course of hundreds of decisions, federal courts sought to rationalize and civilize an institution that too often resembled a lynching, producing layers of legal process but also delays and reversals. Yet the Supreme Court insists that the issue is to be decided by local political actors and public opinion. So the death penalty continues to respond to popular will, enhancing the power of criminal justice professionals, providing drama for the media, and bringing pleasure to a public audience who consumes its chilling tales. Garland brings a new clarity to our understanding of this peculiar institution - and a new challenge to supporters and opponents alike.

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Reviews

Why does the United States, alone among Western democracies, still have the death penalty? It's not a new question, but David Garland provides fresh answers from a multilayered analysis...The title hints at the most provocative part of Garland's answer. In American history, <emphasis>the peculiar institution is slavery. Anyone who thinks its vestiges were wiped out by the Emancipation Proclamation or civil rights laws should read this book and think again. -- Kenneth J. Cooper Boston Globe 20101022 Some of [Garland's] eminently readable prose reminds me of Alexis de Tocqueville's nineteenth-century narrative about his visit to America; it has the objective, thought-provoking quality of an astute observer rather than that of an interested participant in American politics...In his view, an important reason Americans retain capital punishment is their fascination with death. While neither the glamour nor the gore that used to attend public executions remains today, he observes, capital cases still generate extensive commentary about victims' deaths and potential deaths of defendants. Great works of literature, like best-selling paperbacks, attract readers by discussing killings and revenge. Garland suggests that the popularity of the mystery story is part of the culture that keeps capital punishment alive...While he has studiously avoided stating conclusions about the morality, wisdom, or constitutionality of capital punishment, Garland's empirical analysis speaks to all three...I commend Peculiar Institution to participants in the political process. -- John Paul Stevens New York Review of Books 20101223 [A] magisterial account of the origins, the development, and the transformation of capital punishment. -- Marie Gottschalk New Republic online 20110316 [Garland] makes a convincing case that lynching is a key thread that shapes the American death penalty. Execution-night rallies, news stories that emphasize victims' families and a legal system that lets county officials and local juries set the wheels of death in motion all contain echoes of the mob. -- Rachel Proctor May Texas Observer 20110512 [Garland] aims to deepen our understanding of why we still have a death penalty when nations toward whom we feel most kindred do not. In the tradition of de Toqueville, Dickens, Chesterton and Gunnar Myrdal, Garland, who hails from the Scottish Lowlands, casts the discerning eye of the outsider on us. And to compelling result. -- Kevin Doyle America 20110815

Why does the United States, alone among Western democracies, still have the death penalty? It's not a new question, but David Garland provides fresh answers from a multilayered analysis...The title hints at the most provocative part of Garland's answer. In American history, <emphasis>the peculiar institution is slavery. Anyone who thinks its vestiges were wiped out by the Emancipation Proclamation or civil rights laws should read this book and think again. -- Kenneth J. Cooper Boston Globe 20101022 Some of [Garland's] eminently readable prose reminds me of Alexis de Tocqueville's nineteenth-century narrative about his visit to America; it has the objective, thought-provoking quality of an astute observer rather than that of an interested participant in American politics...In his view, an important reason Americans retain capital punishment is their fascination with death. While neither the glamour nor the gore that used to attend public executions remains today, he observes, capital cases still generate extensive commentary about victims' deaths and potential deaths of defendants. Great works of literature, like best-selling paperbacks, attract readers by discussing killings and revenge. Garland suggests that the popularity of the mystery story is part of the culture that keeps capital punishment alive...While he has studiously avoided stating conclusions about the morality, wisdom, or constitutionality of capital punishment, Garland's empirical analysis speaks to all three...I commend Peculiar Institution to participants in the political process. -- John Paul Stevens New York Review of Books 20101223 [A] magisterial account of the origins, the development, and the transformation of capital punishment. -- Marie Gottschalk New Republic online 20110316

Why does the United States, alone among Western democracies, still have the death penalty? It's not a new question, but David Garland provides fresh answers from a multilayered analysis...The title hints at the most provocative part of Garland's answer. In American history, <emphasis>the peculiar institution is slavery. Anyone who thinks its vestiges were wiped out by the Emancipation Proclamation or civil rights laws should read this book and think again. -- Kenneth J. Cooper Boston Globe 20101022 Some of [Garland's] eminently readable prose reminds me of Alexis de Tocqueville's nineteenth-century narrative about his visit to America; it has the objective, thought-provoking quality of an astute observer rather than that of an interested participant in American politics...In his view, an important reason Americans retain capital punishment is their fascination with death. While neither the glamour nor the gore that used to attend public executions remains today, he observes, capital cases still generate extensive commentary about victims' deaths and potential deaths of defendants. Great works of literature, like best-selling paperbacks, attract readers by discussing killings and revenge. Garland suggests that the popularity of the mystery story is part of the culture that keeps capital punishment alive...While he has studiously avoided stating conclusions about the morality, wisdom, or constitutionality of capital punishment, Garland's empirical analysis speaks to all three...I commend Peculiar Institution to participants in the political process. -- John Paul Stevens New York Review of Books 20101223

Why does the United States, alone among Western democracies, still have the death penalty? It's not a new question, but David Garland provides fresh answers from a multilayered analysis...The title hints at the most provocative part of Garland's answer. In American history, <emphasis>the peculiar institution is slavery. Anyone who thinks its vestiges were wiped out by the Emancipation Proclamation or civil rights laws should read this book and think again. -- Kenneth J. Cooper Boston Globe 20101022 Some of [Garland's] eminently readable prose reminds me of Alexis de Tocqueville's nineteenth-century narrative about his visit to America; it has the objective, thought-provoking quality of an astute observer rather than that of an interested participant in American politics...In his view, an important reason Americans retain capital punishment is their fascination with death. While neither the glamour nor the gore that used to attend public executions remains today, he observes, capital cases still generate extensive commentary about victims' deaths and potential deaths of defendants. Great works of literature, like best-selling paperbacks, attract readers by discussing killings and revenge. Garland suggests that the popularity of the mystery story is part of the culture that keeps capital punishment alive...While he has studiously avoided stating conclusions about the morality, wisdom, or constitutionality of capital punishment, Garland's empirical analysis speaks to all three...I commend Peculiar Institution to participants in the political process. -- John Paul Stevens New York Review of Books 20101223 [A] magisterial account of the origins, the development, and the transformation of capital punishment. -- Marie Gottschalk New Republic online 20110316 [Garland] makes a convincing case that lynching is a key thread that shapes the American death penalty. Execution-night rallies, news stories that emphasize victims' families and a legal system that lets county officials and local juries set the wheels of death in motion all contain echoes of the mob. -- Rachel Proctor May Texas Observer 20110512

Author Information

David Garland is Arthur T. Vanderbilt Professor of Law and Professor of Sociology at New York University.

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