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OverviewPartners of the Imagination is the first in-depth study of the work of John Arden and Margaretta D’Arcy, partners in writing and cultural and political campaigns. Beginning in the 1950s, Arden and D’Arcy created a series of hugely admired plays performed at Britain’s major theatres. Political activists, they worked tirelessly in the peace movement and the Northern Ireland ‘Troubles’, during which D’Arcy was gaoled. She is also a veteran of the Greenham Common Women’s Peace camp. Their later work included Booker-listed novels, prize-winning stories, essays and radio plays, and D’Arcy founded and ran a Woman’s Pirate Radio station. Raymond Williams described Arden as ‘the most genuinely innovative’ of the playwrights of his generation, and Chambers and Prior claimed that ‘The Non-Stop Connolly Show’, D’Arcy and Arden’s six-play epic, ‘has fair claim to being one of the finest pieces of post-war drama in the English language’. This study explores the connections between art and life, and between the responsibilities of the writer and the citizen. Importantly, it also evaluates the range of literary works (plays, poetry, novels, essays, polemics) created by these writers, both as literature and drama, and as controversialist activity in its own right. This work is a landmark examination of two hugely respected radical writers. Full Product DetailsAuthor: Robert LeachPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.381kg ISBN: 9780367642976ISBN 10: 0367642972 Pages: 250 Publication Date: 01 August 2022 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations Introduction Acknowledgements Prologue One: A Yorkshire Boyhood Two: Stirrings Three: An Irish Girlhood Four: The Aspiring Actress Five: At the Royal Court Theatre Six: Towards Collaboration Seven: Festivals of Anarchy Eight: A Playwright Without His Breeches Nine: Alternatives in Politics and Theatre Ten: Cartoons, Archetypes, Slogans, Theatre Eleven: Looking and Seeing Twelve: An Activist Theatre Thirteen: A Mighty Bust-Up Fourteen: Ireland Once Again Fifteen: Non-Stop Sixteen: Pinpricks and Follies Seventeen: Unperson – New Person Eighteen: ‘If You Are Beaten Down, You Just Rise Again!’ Nineteen: Artists for Freedom Twenty: Pirate Woman Twenty-one: Undeviating Paths Twenty-two: The Ink Horn Not Yet Dry Twenty-three: Loose Theatre Twenty-four: ‘This Was Not History. It Has Not Passed’ Bibliography IndexReviewsAuthor InformationRobert Leach is a theatre director as well as an academic. Educated at Pembroke College, Cambridge, he has taught at Birmingham and Edinburgh Universities. He has published many books on theatre-related subjects, most recently from Routledge the two-volume Illustrated History of British Theatre and Performance. Tab Content 6Author Website:Countries AvailableAll regions |
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