Parody and Festivity in Early Modern Art: Essays on Comedy as Social Vision

Author:   DavidR. Smith
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9781409430308


Pages:   220
Publication Date:   11 May 2012
Format:   Hardback
Availability:   In Print   Availability explained
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Parody and Festivity in Early Modern Art: Essays on Comedy as Social Vision


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Overview

Dwelling on the rich interconnections between parody and festivity in humanist thought and popular culture alike, the essays in this volume delve into the nature and the meanings of festive laughter as it was conceived of in early modern art. The concept of 'carnival' supplies the main thread connecting these essays. Bound as festivity often is to popular culture, not all the topics fit the canons of high art, and some of the art is distinctly low-brow and occasionally ephemeral; themes include grobianism and the grotesque, scatology, popular proverbs with ironic twists, and a wide range of comic reversals, some quite profound. Many hinge on ideas of the world upside down. Though the chapters most often deal with Northern Renaissance and Baroque art, they spill over into other countries, times, and cultures, while maintaining the carnivalesque air suggested by the book's title.

Full Product Details

Author:   DavidR. Smith
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Dimensions:   Width: 15.60cm , Height: 1.40cm , Length: 23.40cm
Weight:   0.635kg
ISBN:  

9781409430308


ISBN 10:   1409430308
Pages:   220
Publication Date:   11 May 2012
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Sociable laughter, deep laughter, David R. Smith; In praise of folly, Paul Barolsky; Drinking as gods, laughing as men: Velázquez and the gift of Bacchus, Aneta Georgievska-Shine; Hunter rabbits/hares in 15th- and 16th-century northern art: parody and carnival?, Diane Scillia; The early modern lottery in the Netherlands: charity as festival and parody, Jane Kromm; Truth in painting - comedic resolution in Breugel's Landscape with the Magpie on the Gallows, Catherine Levesque; Parody, proverb, and paradox in two late works by Pieter Breugel the Elder, David A. Levine; Exuberant gluttony: Breugel's overeaters, Yemi Onafuwa; Bakhtinian carnivalesque in the clown images of Rouault, Soo Y. Kang; Parodies of life: Baccio del Bianco's comic drawings of dwarfs, Sandra Cheng; Jan van der Heyden's Feast of Purim, David R. Smith; Le Cedille qui Sourit: aesthetic research under the 'sign of humor', Rosemary O'Neill; General bibliography; Index.

Reviews

'Altogether, this diverse collection of essays makes a stimulating contribution to the study of humor in visual culture.' Renaissance Quarterly '... a most welcome beginning to future work on comedy. The volume innovatively discusses the tough topic of laughter and comedy.' Historians of Netherlandish Art 'With its discerning and in-depth essays, the book contributes significantly to the study of festive culture and attests to the importance and the need of analyzing carefully all its manifestations.' Journal of the Northern Renaissance '... with its discerning and in-depth essays, the book contributes significantly to the study of festive culture and attests to the importance and the need of analyzing carefully all its manifestations.' Journal of the Northern Renaissance


Author Information

David R. Smith is Professor of Art History at the University of New Hampshire, USA. David R. Smith, Paul Barolsky, Aneta Georgievska-Shine, Diane Scillia, Jane Kromm, Catherine Levesque, David A. Levine, Yemi Onafuwa, Soo Y. Kang, Sandra Cheng, Jan van der Heyden's Feast of Purim, David R. Smith, Rosemary O'Neill.

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