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OverviewFull Product DetailsAuthor: Fernando Rios (Assistant Professor of Ethnomusicology, Assistant Professor of Ethnomusicology, University of Maryland)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.10cm , Height: 2.00cm , Length: 15.20cm Weight: 0.408kg ISBN: 9780190692285ISBN 10: 0190692286 Pages: 296 Publication Date: 22 October 2020 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsFernando Rios is the preeminent historian of what the world knows today as 'Andean music.' In this meticulously researched and theoretically profound book, he offers a model of well-crafted historical ethnomusicology: deeply grounded in the details of Bolivian musical nationalism and its transnational connections, yet offering broad insights about the intersections of music, ethnicity, class, and politics in Latin America in the twentieth century. * Jonathan Ritter, Associate Professor of Ethnomusicology, University of California Riverside * Fernando Rios' meticulously researched and fascinating history is an indispensable resource for understanding how Andean folk music came to take the world by storm. Although powerfully invoking ideas and images of indigenous Andean culture, Panpipes and Ponchos demonstrates that the conjunto (with its standard line-up of kena flute, charango, guitar, bombo drum, and later panpipes) was thoroughly transnational, middle class, and rooted in Bolivia's turbulent twentieth-century history. * Henry Stobart, Royal Holloway University of London, author of Music and the Poetics of Production in the Bolivian Andes * Fernando Rios' meticulously researched and fascinating history is an indispensable resource for understanding how Andean folk music came to take the world by storm. Although powerfully invoking ideas and images of indigenous Andean culture, Panpipes and Ponchos demonstrates that the conjunto (with its standard line-up of kena flute, charango, guitar, bombo drum, and later panpipes) was thoroughly transnational, middle class, and rooted in Bolivia's turbulent twentieth-century history. * Henry Stobart, Royal Holloway University of London, author of Music and the Poetics of Production in the Bolivian Andes * Fernando Rios is the preeminent historian of what the world knows today as 'Andean music.' In this meticulously researched and theoretically profound book, he offers a model of well-crafted historical ethnomusicology: deeply grounded in the details of Bolivian musical nationalism and its transnational connections, yet offering broad insights about the intersections of music, ethnicity, class, and politics in Latin America in the twentieth century. * Jonathan Ritter, Associate Professor of Ethnomusicology, University of California Riverside * Author InformationFernando Rios is Associate Professor in Ethnomusicology at the University of Maryland. His research interests include Latin American (especially Bolivian) folkloric, indigenous, and popular music; folklorization and nation-building; music and social-political movements; the politics of cultural appropriation; and historical ethnomusicology. Tab Content 6Author Website:Countries AvailableAll regions |