Overview

Volume five of a series of plays written by Pam Gems. THE BLUE ANGEL, LOVING WOMEN, NATALYA and LADYBIRD, LADYBIRD. THE BLUE ANGEL was first performed on the 7th of September, 1991 at The Other Place, Stratford-Upon-Avon, Warwickshire. The production transferred to the Globe Theatre, London, on the 20th of May, 1992. Produced by MARK FURNESS, JOHN NEWMAN and the Royal Shakespeare Company, directed by TREVOR NUNN, designed by MARIA BJORNSON. LOVING WOMEN was first performed on the 31st of January, 1984, at the Arts Theatre, Great Newport Street, London, UK. Produced by JONATHAN GEMS and DAVID JONES, directed by PHILIP DAVIS, designed by JONATHAN GEMS. NATALYA - The real-life model for Natalya is dead. In NATALYA, the play, she is a survivor. Criminal of course. LADYBIRD, LADYBIRD was first performed on April 23rd, 1979, at the King's Head Theatre, Islington, London, UK.

Full Product Details

Author:   Pam Gems
Publisher:   Quota Books Limited
Imprint:   Quota Books Limited
Volume:   5
Dimensions:   Width: 12.80cm , Height: 3.00cm , Length: 20.40cm
Weight:   0.465kg
ISBN:  

9781739889401

ISBN 10:   1739889401
Pages:   408
Publication Date:   01 October 2022
Audience:   Professional and scholarly ,  College/higher education ,  General/trade ,  Professional & Vocational ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock  
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Table of Contents

Reviews

The play has a thriller-like suspense as the Westerners are caught up in a coup . . . One of the meatiest nights of theatre on offer . . . MICHAEL BILLINGTON. The Guardian. 06/03/1994 One of the great voices of contemporary theatre, and one of the most powerful voices of feminist theatre... NICK AHAD. Yorkshire Evening Post. 17/03/2006 It should tickle most people's fancy, theatre buffs or no... BENEDICT NIGHTINGALE. The Daily Telegraph. 20/03/2006 The result, however, is much more savage than the movie. MICHAEL BILLINGTON. The Guardian. 28/08/1991 'that is a complex and estimable addition to the Pam Gems roster of legendary pin-ups: Piaf, Camille and Queen Christina . . . ' MICHAEL COVENEY. Financial Times. 01/09/1991 Actually, 'adapted' is not quite the right word. Gems has relocated the story to 1920s Hamburg and Maria Bjornson's set, with its precipitous angles and lurid doorways, recalls the films of Murnau. The atmosphere is cool but febrile. JOHN PETERS. The Sunday Times. 01/09/1991 The portrait of a disenchanted middle-class career leftie yearning for a child is one of the most poignant images of our recent theatre. MICHAEL COVENEY Financial Times. 02/02/1984 It is a long time since I saw a new comedy which delighted me as much. Pam Gems's LOVING WOMEN at the ARTS is just the winter tonic we have been waiting for: sexually knowing, wittily in touch with young people's lifestyles and, above all, funny. JOHN BARBER. The Daily Telegraph. 02/02/1984 No one can accuse Pam Gems of short-changing her audience in her new play LOVING WOMEN at the ARTS THEATRE. CHARLES SPENCER. The Evening Standard. 02/02/1984

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