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Awards
OverviewFull Product DetailsAuthor: Tarnya Cooper (Chief Curator, Chief Curator, National Portrait Gallery, London) , Aviva Bunstock (Head of the Dept of Conservation & Technology, Head of the Dept of Conservation & Technology, Courtauld Institute of Art, London) , Maurice Howard (Professor of History of Art, Professor of History of Art, University of Sussex) , Edward Town (Postdoctoral Research Associate, Postdoctoral Research Associate, Yale Center for British Art)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 22.10cm , Height: 3.50cm , Length: 28.60cm Weight: 2.074kg ISBN: 9780197265840ISBN 10: 0197265847 Pages: 400 Publication Date: 27 August 2015 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsTarnya Cooper and Maurice Howard: Introduction Tarnya Cooper and Maurice Howard: Artists, Patrons and the Contexts for the Production of Painted Images in Tudor and Jacobean England Part I Material Practices Aviva Burnstock: Introduction 1: Aviva Burnstock: Interpreting the Results of Technical Analysis 2: Ian Tyers: Panel Making, Sources of Wood, Construction 'Trademarks' and Conclusions on the Making and Trade in the UK 3: Sophie Plender: Materials, Techniques and Practice: The Relationship between Artists' Treatises and Painting Methods and Techniques in Tudor and Jacobean England 4: Libby Sheldon: Palette, Practice and Purpose: Pigments and their Employment by Native and Anglo-Netherlandish Artists in Tudor and Jacobean Paintings 5: Rachel Billinge: Artists' Underdrawing and the Workshop Transfer Process 6: Klaas Jan van den Berg, Katrien Keune, Suzan de Groot and Henk van Keulen: Binding Media in Tudor and Jacobean Paintings 7: Marie Louise Sauerberg: The Conservation of Paintings from the Tudor Era in the Context of Portraits of Elizabeth I 8: Caroline Rae: Marcus Gheeraerts the Younger, John de Critz the Elder, Robert Peake the Elder and William Larkin Part 2 Tudor and Jacobean Painters and Their Workshops Tarnya Cooper: Introduction 9: Lucy J. Wrapson: A Medieval Context for the Artistic Production of Painted Surfaces in England: Evidence from East Anglia (c.1400-50) 10: Susan Foister: Distinctive or Different? English Artistic Practices in a European Context 11: Victoria Button: 'Pictures by the Life': The Materials and Techniques of Holbein's Portrait Drawings 12: Hope Walker: Talent and Adversity: A Reassessment of the Life and Works of Hans Eworth of Antwerp and London (active 1540-74) 13: Katherine Coombs and Alan Derbyshire: . Nicholas Hilliard's Workshop Practice Reconsidered 14: Edward Town: 'A Good Eye, and Steadfast Hand': Painting in London 1547-1625 15: Elizabeth Goldring: Heraldic Drawing and Painting in Early Modern England 16: Karen Hearn: Migrant Artists in Jacobean London 17: Catharine MacLeod: Robert Peake: Portraits, Patrons and Technical Evidence 18: Anita Jansen and Johanneke Verhave: The Ambassador and the Painter: Sir Dudley Carleton Painted by Michiel van Mierevelt 19: David Taylor: Gesture Recognition: Adam de Colone and the Transmission of Portrait Types from the Low Countries and England to Scotland Part 3 Patronage, Markets and Audiences Maurice Howard: Introduction 20: Frederick Hepburn: 'pintor Yngles': The Earliest Evidence for Portraiture at the Court of Henry VII 21: Charlotte Bolland: SAT SUPER EST': A Portrait of Henry Howard, Earl of Surrey 22: Catherine Daunt: Heroes and Worthies: Emerging Antiquarianism and the Taste for Portrait Sets in England 23: Robert Tittler: Painters' and Patrons' Circles in Provincial England, c.1580-1640 24: Susan Bracken: Collectors in England 1580-1630 - Evolutions in TasteReviewsIt is difficult to overstate the magnitude of the scholarship represented in this volume, the skill with which the essays deal with a large corpus of data in with such clarity and concision, and the attractive presentation of the book as a whole. Nicholas Grindle, The British Art Journal Author InformationTarnya Cooper, Chief Curator, National Portrait Gallery, London, Aviva Bunstock, Head of the Dept of Conservation & Technology, Courtauld Institute of Art, London, Maurice Howard, Professor of History of Art, University of Sussex, Edward Town, Postdoctoral Research Associate, Yale Center for British Art Tab Content 6Author Website:Countries AvailableAll regions |
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