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Full Product Details

Author:   Beth Harland (University of Lancaster, UK) ,  Sunil Manghani (University of Southampton, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Weight:   2.668kg
ISBN:  

9781472558411

ISBN 10:   1472558413
Publication Date:   19 November 2015
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Mixed media product
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Volume 1: Painting's Histories Preface Introduction Part I: Early Aesthetic Theories 1. The Shadow Stage, Victor Stoichita 2. The Inventor of Painting, Hubert Damisch 3. Roman Painting, Donald Strong Part II: Epistemologies of Painting 4. Giotto's Joy, Julia Kristeva 5. A Confrontation of 'Word and Image' in My Name Is Red, Feride Cicekoglu 6. Las Meninas, Michel Foucault 7. The Nature of Picturing in the North, Svetlana Alpers 8. Barthes and the Lesson of Saenredam, Howard Caygill 9. Pictures and Ideas: Chardin's A Lady Taking Tea, Michael Baxandall Part III: Painting as a Medium 10. On Painting, Walter Benjamin 11. Cezanne's Letters, Paul Cezanne to Emile Bernard 12. Percept, Affect and Concept, Gilles Deleuze and Felix Guattari 13. The Precious Little Patch of Yellow Wall, Marcel Proust Part IV: Artist, Artwork and Viewer 14. The Lives of the Artists, Giorgio Vasari 15. The Idea of Painting, John Ruskin 16. On Pictorial Representation, Richard Wollheim 17. Easel Painting and Pictorial Order, Thomas Puttfarken 18. Notes on Two Women Surrealist Painters, Dawn Ades 19. Crossing Country: Tribal Modernism and Kuninjku Bark Painting, Ian McLean Volume 2: Modern Painting Preface Introduction Part I: New Ways of Seeing 1. The Salon and Early Art Criticism, Denis Diderot 2. The Masterpiece, Emile Zola 3. Manet in His Generation, Michael Fried 4. Courbet, Incommensurate and Emergent, James D. Herbert 5. Gericault, the Panorama, and Sites of Reality in the Early Nineteenth Century, Jonathan Crary 6. The Art of Orientalist Painting, Emily M. Weeks Part II: Painting's Autonomy 7. Modernist Painting, Clement Greenberg 8. Jackson Pollock: The Unhappy Consciousness, T. J. Clark 9. The Death of Sensuous Particulars: T. J. Clark and Abstract Expressionism, J. M. Bernstein 10. Experimental Painting, Stephen Bann 11. On the Surface of Painting, Charles Harrison Part III: The Expanded Medium 12. Last Exit: Painting, Thomas Lawson 13. Painting as Model, Yve-Alain Bois 14. Richard Hamilton, or the Tabular Image, Hal Foster 15. Dansaekhwa: Korean Monochrome Painting, Simon Morley 16. Noncompositional Effects, Howard Singerman Volume 3: Critical Perspectives Preface Introduction Part I: Critical Theories 1. Immanuel Kant and the Bo(a)rders of Art History, Mark A. Cheetham 2. The Sublime and the Avant-Garde, Jean-Francois Lyotard 3. The Ideal as Such, G. W. F. Hegel 4. Naturalism as Nationalism in the Study of Early Netherlandish Painting, Keith Moxey 5. Image and Gesture, Hans-Georg Gadamer Part II: Painting and Language 6. Is Painting a Language? Roland Barthes 7. This is not a Painting, Mieke Bal 8. Colophons, Reception, and Chinese Painting, De-nin D. Lee 9. Ut Pictura Theoria: Abstract Painting and Language, W. J. T. Mitchell 10. Painting in the Text, Jacques Ranciere Part III: Phenomenology 11. The Origin of the Work of Art, Martin Heidegger 12. Decisiveness and Undecidability, Matthew Biro 13. Beyond 'Cezanne's Doubt', Sandra Alexander 14. The Eye and the Hand, Gilles Deleuze 15. The Gaze in the Expanded Field, Norman Bryson 16. The Case for the External Spectator, Ken Wilder Part IV: Painting Reframed 17. The Waning of Affect, Fredric Jameson 18. Anamnesis: Of the Visible, Jean-Francois Lyotard 19. Interpreting/Painting and the Art of Deconstruction, Andrew Benjamin 20. A Theory of /Cloud/, Hubert Damisch 21. Bodies, Aesthetics and Feminism, Rosemary Betterton Volume 4: Processes and Strategies Preface Introduction Part I: Post-Medium 1. The Value of Painting: Notes on Unspecifity, Indexicality and Highly Valuable Quasi-Persons, Isabelle Graw 2. Rehearsing Doubt: Recent Developments in Painting-After-Photography, Martin Herbert 3. Painting After Performance, Catherine Wood 4. Painting Beside Itself, David Joselit Part II: Process and Production 5. Cy Twombly: Works on Paper, Roland Barthes 6. Philip Guston and the Crisis of Image, Robert Zaller 7. Unknown Knowns: Jenny Holzer's Redaction Paintings and the History of the War on Terror, Robert Bailey 8. The Most Wanted Painting, Arthur C. Danto 9. Touch Screen, Bernice Donszelmann Part III: The Site of Painting 10. The Sight of Death, T. J. Clark 11. Painting and Time, John Berger 12. Paul Klee: An Art of Privacy? Annie Bourneuf 13. Medium and Membrane, Joerg Heiser 14. Notes on the Tableau, Laura Lisbon 15. The Moral Economy of the Street: The Bombay Paintings of Gieve Patel and Sudhir Patwardhan, Karin Zitzewitz

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Beth Harland is Professor in Fine Art, Lancaster University, UK. Sunil Manghani is Reader in Critical and Cultural Theory, Winchester School of Art, University of Southampton, UK

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