Owning Performance | Performing Ownership: Literary Property and the Eighteenth-Century British Stage

Author:   Jane Wessel
Publisher:   The University of Michigan Press
ISBN:  

9780472133079


Pages:   232
Publication Date:   30 July 2022
Format:   Hardback
Availability:   In stock   Availability explained
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Owning Performance | Performing Ownership: Literary Property and the Eighteenth-Century British Stage


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Full Product Details

Author:   Jane Wessel
Publisher:   The University of Michigan Press
Imprint:   The University of Michigan Press
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 23.10cm
Weight:   0.151kg
ISBN:  

9780472133079


ISBN 10:   0472133071
Pages:   232
Publication Date:   30 July 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Contents Introduction Chapter One Charles Macklin and the Turn Away from Print Chapter Two Samuel Foote’s Strategic Ephemerality Chapter Three Managerial Interventions: George Colman, Thomas Harris, R.B. Sheridan, and the Practice of Buying Copyrights Chapter Four Tate Wilkinson’s Re-Performances: Performance as Piracy and Preservation Chapter Five Printing and Performing Drama in the Final Quarter of the Century: Elizabeth Inchbald and John O’Keeffe Epilogue Performing Ownership before Parliament: Literary Property and the “Decline of Drama” Notes Bibliography Index

Reviews

This judiciously argued, impressively well-informed, and lucidly written book traces a century of shifts in theatrical, and theatrical-management, practices and conventions....I was particularly struck by Wessel's assertion that a dramatic work's nonpublication is not necessarily a lapse or loss but may be the product of a conscientious strategy for controlling circulation--and, indeed, no less importantly, payment. --Brett D. Wilson, William Mary-- Brett D. Wilson


"""This judiciously argued, impressively well-informed, and lucidly written book traces a century of shifts in theatrical, and theatrical-management, practices and conventions....I was particularly struck by Wessel's assertion that a dramatic work's nonpublication is not necessarily a lapse or loss but may be the product of a conscientious strategy for controlling circulation--and, indeed, no less importantly, payment."" --Brett D. Wilson, William Mary-- ""Brett D. Wilson"""


Author Information

Jane Wessel is Assistant Professor of English at the US Naval Academy.

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