Overview

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. The Medicamina Faciei Femineae is a didactic elegy that showcases an early example of Ovid's trademark combination of poetic instruction and trivial subject matter. Exploring female beauty and cosmeceuticals, with particular emphasis on the concept of cultus, the poem presents five practical recipes for treatments for Roman women. Covering both didactic parody and pharmacological reality, this deceptively complex poem possesses wit and vivacity and provides an important insight into Roman social mores and day-to-day activities. The first full study in English devoted to this little-researched but multi-faceted poem, Ovid on Cosmetics includes an introduction that situates the poem within its literary heritage of didactic and elegiac poetry, its place in Ovid's oeuvre and its relevance to social values, personal aesthetics and attitudes to female beauty in Roman society. The Latin text is presented on parallel pages alongside a new translation, and all Latin words and phrases are translated for the non-specialist reader. Detailed commentary notes elucidate the text and individual phrases still further. Ovid on Cosmetics presents and explicates this witty, subversive yet significant poem. Its attention to the technicalities of cosmeceuticals and cosmetics, including detailed analyses of individual ingredients and the effects of specific creams and makeup, make this work a significant contribution to the beauty industry in antiquity.

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9781472506573

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[This book] brings together the Latin text and a clear English translation with a thorough introduction and a truly insightful commentary ... [A]n invaluable contribution to Ovidian scholarship ... [and] a worthwhile read. Minerva This slim volume precisely fulfils the task it sets itself in the subtitle ... This is certainly the book to come to if you want to find out about the evidence for hair-curling irons, popular fabric colours or where to buy a wig in ancient Rome. Classics For All Reviews Johnson's important book is a scholarly dissection of Ovid's writings on personal appearance. She walks us splendidly through the details of hair, cosmetics and cosmeceuticals, jewelry, and clothing in Roman antiquity, and adds some modern resources into the mix as well. A fascinating, wide-ranging, and readable book. Kelly Olson, Associate Professor of Classics, Western University, Ontario, Canada Marguerite Johnson's welcome book conveniently brings together Ovid's discussions of female cosmetics and beauty treatments in his eroto-didactic poetry, including the surviving hundred lines of his treatise on Cosmetic Treatments for the Female Face. This fascinating volume, with helpful illustrations, will interest all students of women, sex and gender in classical antiquity, as well as historians of botany, medicine and science. -- Alison Keith, Professor of Classics, University of Toronto, Canada

Johnson has achieved an admirable feat by bringing together such a varied collection of primary and secondary materials in a clear and approachable way. This book will provide a very useful point of entry for any reader interested in understanding ancient attitudes towards and knowledge about cosmetics, cosmeceuticals, and beautification practices in general. Bryn Mawr Classical Review [This book] brings together the Latin text and a clear English translation with a thorough introduction and a truly insightful commentary ... [A]n invaluable contribution to Ovidian scholarship ... [and] a worthwhile read. Minerva This slim volume precisely fulfils the task it sets itself in the subtitle ... This is certainly the book to come to if you want to find out about the evidence for hair-curling irons, popular fabric colours or where to buy a wig in ancient Rome. Classics For All Reviews Johnson's important book is a scholarly dissection of Ovid's writings on personal appearance. She walks us splendidly through the details of hair, cosmetics and cosmeceuticals, jewelry, and clothing in Roman antiquity, and adds some modern resources into the mix as well. A fascinating, wide-ranging, and readable book. Kelly Olson, Associate Professor of Classics, Western University, Ontario, Canada Marguerite Johnson's welcome book conveniently brings together Ovid's discussions of female cosmetics and beauty treatments in his eroto-didactic poetry, including the surviving hundred lines of his treatise on Cosmetic Treatments for the Female Face. This fascinating volume, with helpful illustrations, will interest all students of women, sex and gender in classical antiquity, as well as historians of botany, medicine and science. -- Alison Keith, Professor of Classics, University of Toronto, Canada The major contribution of this work is that it makes accessible a wide range of evidence about ancient beautification. ... Johnson has achieved an admirable feat by bringing together such a varied collection of primary and secondary materials in a clear and approachable way. This book will provide a very useful point of entry for any reader interested in understanding ancient attitudes towards and knowledge about cosmetics, cosmeceuticals, and beautification practices in general. ... Johnson does a service to the field by making ancient texts, material evidence, and scholarship accessible to all readers, who will have clear direction for further study thanks to the work's wide scope and up-to-date bibliography. -- Rachel Philbrick Bryn Mawr Classical Review

Johnson's important book is a scholarly dissection of Ovid's writings on personal appearance. She walks us splendidly through the details of hair, cosmetics and cosmeceuticals, jewelry, and clothing in Roman antiquity, and adds some modern resources into the mix as well. A fascinating, wide-ranging, and readable book. Kelly Olson, Associate Professor of Classics, Western University, Ontario, Canada Marguerite Johnson's welcome book conveniently brings together Ovid's discussions of female cosmetics and beauty treatments in his eroto-didactic poetry, including the surviving hundred lines of his treatise on Cosmetic Treatments for the Female Face. This fascinating volume, with helpful illustrations, will interest all students of women, sex and gender in classical antiquity, as well as historians of botany, medicine and science. -- Alison Keith, Professor of Classics, University of Toronto, Canada

Author Information

Marguerite Johnson is Associate Professor in the School of Humanities and Social Sciences, The University of Newcastle, Australia. She is author of Sappho (2006) and Boudicca (2012) for the ‘Ancients in Action’ series, and co-editor (with Harold Tarrant) of Alcibiades and the Socratic Lover-Educator, also published by Bristol Classical Press (2012).

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