Opera as Art: Philosophical Sketches

Author:   Paul Thom
Publisher:   Lexington Books
ISBN:  

9781666914252


Pages:   218
Publication Date:   15 May 2024
Format:   Paperback
Availability:   Manufactured on demand   Availability explained


Our Price $68.99 Quantity:  
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Opera as Art: Philosophical Sketches


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Full Product Details

Author:   Paul Thom
Publisher:   Lexington Books
Imprint:   Lexington Books/Fortress Academic
Dimensions:   Width: 15.20cm , Height: 1.60cm , Length: 22.70cm
Weight:   0.345kg
ISBN:  

9781666914252


ISBN 10:   1666914258
Pages:   218
Publication Date:   15 May 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   Manufactured on demand   Availability explained

Table of Contents

Chapter One. Speech, Harmony, Rhythm Chapter Two. Representing the Marvellous Chapter Three. A Gallery of Affects Chapter Four. A World of Terror and Laughter Chapter Five. The Power of the Crescendo Chapter Six. The Aesthetic Attitude Chapter Seven. Sublime Diversions Chapter Eight. A Grand Comic Opera Chapter Nine. Shock and Sentiment Chapter Ten. The Limits of Expressibility Chapter Eleven. The Limits of Tonality Chapter Twelve. The Uncanny

Reviews

"""This valuable and very readable book offers a compelling philosophical account of opera as artwork and supports it with detailed case studies of major operas from Monteverdi's Orfeo to Berg's Wozzeck. Each opera is studied in relation to a selected modern production, and the author's evaluations of these are fascinating."" --Michael Ewans, University of Newcastle Australia"


"""This valuable and very readable book offers a compelling philosophical account of opera as artwork and supports it with detailed case studies of major operas from Monteverdi’s Orfeo to Berg’s Wozzeck. Each opera is studied in relation to a selected modern production, and the author’s evaluations of these are fascinating."" -- Michael Ewans, University of Newcastle Australia"


"""This valuable and very readable book offers a compelling philosophical account of opera as artwork and supports it with detailed case studies of major operas from Monteverdi's Orfeo to Berg's Wozzeck. Each opera is studied in relation to a selected modern production, and the author's evaluations of these are fascinating."""


Author Information

Paul Thom is a philosopher-musician and adjunct professor in the School of Philosophical Inquiry at the University of Sydney and a Fellow of the Australian Academy of the Humanities.

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