Opera aperta: Italian Electronic Literature from the 1960s to the Present

Author:   Robert S.C. Gordon ,  Pierpaolo Antonello ,  Emanuela Patti
Publisher:   Peter Lang International Academic Publishers
Edition:   New edition
Volume:   39
ISBN:  

9781789978599


Pages:   308
Publication Date:   27 April 2022
Format:   Paperback
Availability:   In Print   Availability explained
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Opera aperta: Italian Electronic Literature from the 1960s to the Present


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Full Product Details

Author:   Robert S.C. Gordon ,  Pierpaolo Antonello ,  Emanuela Patti
Publisher:   Peter Lang International Academic Publishers
Imprint:   Peter Lang International Academic Publishers
Edition:   New edition
Volume:   39
Weight:   0.478kg
ISBN:  

9781789978599


ISBN 10:   1789978599
Pages:   308
Publication Date:   27 April 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Open textuality from the Neoavanguardia to digital convergence – Opera aperta and the Italian Neoavanguardia – Italian electronic literature: The modernist poetics of «open works» – Ideological debates and the critical function of electronic literature – Digital storytelling from experimental writing to popular culture – The Italian «digital avant-garde»: From mainframes to the Internet – The digital revolution in Italy – Generative literature: Nanni Balestrini’s Tape Mark 1 (1961), Tristano (1966 and 2007), and Epreuves d’écriture (1985) – Video poetry: Gianni Toti’s poetronica (1980–1994) – Hypertext and interactive fiction: Italo Calvino and Enrico Colombini’s Avventura nel castello (1982) – Net poetry: Caterina Davinio from Karenina.it (1998) to GATES (2005) – The social media age – Digital convergence in Italy and the transformation of the Italian literary industry – Network criticism: Lit-blogs (2006–2019) – Reality blooks: Michela Murgia’s Il mondo deve sapere (2006) and Francesco Pecoraro’s Questa e altre preistorie (2008) – Collective distributed narratives: The Wu Ming Foundation (2006–2013) – Wiki novels: SIC’s In territorio nemico (2013) – The social network novel: Tommaso Pincio’s Panorama (2015) and Fabio Viola’s I dirimpettai (2015) – Twitterature and Facebookature – Post-digital experimentation: Creative coding and digital poetry – Interactive e-books: Enrico Colombini and Fabrizio Venerandi’s Polistorie – Contemporary digital poetry.

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Author Information

Emanuela Patti is Lecturer in Italian at the University of Edinburgh. Her research interests range across a variety of areas, including Italian literature and culture, media and cultural studies, digital cultures and digital humanities. She was part of the AHRC-funded collaborative project Interdisciplinary Italy 1900–2020: interart/intermedia, which supported the publication of this book. She is the author of Pasolini After Dante: the «Divine Mimesis» and the Politics of Representation (2016) and editor of a special issue of the Journal of Comparative Critical Studies titled Experimental Narratives: From the Novel to Digital Storytelling (2016), among other publications.

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