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OverviewFull Product DetailsAuthor: Doris SrinivasanPublisher: Brill Imprint: Brill Volume: 18 Dimensions: Width: 15.50cm , Height: 3.60cm , Length: 23.50cm Weight: 1.045kg ISBN: 9789004154513ISBN 10: 9004154515 Pages: 548 Publication Date: 22 June 2007 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Awaiting stock The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsReviews...to work through this book is an absolute necessity for everyone dealing with pre- and Kusana art and culture. Harry Falk, Berlin, Orientalistische Literaturzeitung, 104 (2009), 4-5 In her introduction Doris Srinivasan sums up the 'hallmarks characterizing the vitality and creativity of Pre- and earl Kusana art' as being adoption, adaptation, and transformation (p. 25). I would argue that these are characteristics of Indian art as a whole, and the papers in this excellent volume testify to some of ways in which this holds true dureing the first centuries before and after the common era. Sonya Rhie Quintanilla, San Diego Museum of Art, JAOS 2009: 129.3 ...to work through this book is an absolute necessity for everyone dealing with pre- and Ku ana art and culture. Harry Falk, Berlin, Orientalistische Literaturzeitung, 104 (2009), 4-5 In her introduction Doris Srinivasan sums up the 'hallmarks characterizing the vitality and creativity of Pre- and earl Kusana art' as being adoption, adaptation, and transformation (p. 25). I would argue that these are characteristics of Indian art as a whole, and the papers in this excellent volume testify to some of ways in which this holds true dureing the first centuries before and after the common era. Sonya Rhie Quintanilla, San Diego Museum of Art, JAOS 2009: 129.3 Author InformationDoris Meth Srinivasan is Visiting Scholar at the State University of New York, Stony Brook. She has published extensively on Hindu iconography, Western and local expressions in Gandharan art, plus the seminal Many Heads, Arms and Eyes. Origin, Meaning and Form of Multiplicity in Indian Art (Brill, 1997). Tab Content 6Author Website:Countries AvailableAll regions |