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On Tarzan consistently lodges its analysis within the context of the time that these pop culture artifacts were produced. Tarzan plots revolve around cultural imperialism, American capitalism, miscegenation, problematic portrayals of ethnicity and gender, and orgies of violence replacing sexual love. While Vernon rigorously debates these controversies, he refrains from criticizing in the vein of 20 - 20 hindsight; he allows the texts to be seen in their natural, historical habitat.-- Journal of Popular Culture

On Tarzan is a wonderful read . . . a great introduction to cultural studies, to American studies, and also to the 'American Century.' The book hinges neatly on Vernon's continual discovery of paradox and/or contradiction both within relevant contexts (gender, sexuality, colonialism, etc.) and across them. --Kevin Kopelson, author of Sedaris

"On Tarzan is an elegantly written foray into the cultural jungle that has grown up around Tarzan. --Matt Cohen ""editor of Brother Men: The Correspondence of Edgar Rice Burroughs and Herbert T. Weston "" On Tarzan is a wonderful read . . . a great introduction to cultural studies, to American studies, and also to the 'American Century.' The book hinges neatly on Vernon's continual discovery of paradox and/or contradiction both within relevant contexts (gender, sexuality, colonialism, etc.) and across them. --Kevin Kopelson ""author of Sedaris "" On Tarzan is an intelligent, revelatory, meditative series of essays on the place of Tarzan within Western culture. Vernon demonstrates a remarkable grasp of the wide range of disciplines that contribute to this book, including history, psychology, and film theory. The writing is so thoughtful and daring that Vernon seems to be breaking new ground in cultural studies. --Choice On Tarzan is a highbrow romp through a lowbrow craze that influenced both Amos Oz and Gore Vidal. It is a study that deserves to be influential in its own right. --Times Literary Supplement On Tarzan consistently lodges its analysis within the context of the time that these pop culture artifacts were produced. Tarzan plots revolve around cultural imperialism, American capitalism, miscegenation, problematic portrayals of ethnicity and gender, and orgies of violence replacing sexual love. While Vernon rigorously debates these controversies, he refrains from criticizing in the vein of 20 - 20 hindsight; he allows the texts to be seen in their natural, historical habitat. --Journal of Popular Culture"

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Alex Vernon is an associate professor of English at Hendrix College. His books include The Eyes of Orion, Soldiers Once and Still, Arms and the Self, and Most Succinctly Bred.

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