Overview

Not Quite Good Enough to be on TV Harmonies is Robertson's ode to the form of the guitar: a suite of new drawings rendered in oil pastel, and directly connected to her new large scale paintings. In the artist's words: “Living around guitars means they are often just sat in your peripheral vision, curving, almost bent over in the corner of a room.” The work's range is a testament to the instrument's potential – its relation to the body, performance and experimentation, and its position as an object of intimacy and expression. The cover of the book features the original lyrics to Blue Car, from the 2023 album of the same name. Joanne Robertson is a musician, painter and poet. She collaborates regularly with her friends, including Sidsel Meineche Hansen, Dean Blunt, Byron Coley and Jasper Baydala (Kool Music). Her painting and music both form from improvisatory moments of expression. Robertson is based in Glasgow and is represented by Édouard Montassut, Paris and Company, New York.

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9781739425159

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Joanne Robertson is a musician, painter and poet based in Glasgow. She is represented by Édouard Montassut, Paris and Company Gallery, New York. Recent solo exhibitions include those at Company Gallery, New York; Gregor Staiger, Milan; Edouard Montassut, Paris; Mother Culture, Berlin; Gallery Malmo, Edinburgh; and Svetlana, New York. Her work has been included in group exhibitions at Kunsthalle Charlottenborg, Copenhagen; Triest, New York; Svetlana, New York; and FRI ART Kunsthalle, Fribourg. Robertson is co-author of Apesma (2007), Unicorns V’s Mermaids (2010), Songbook 71 (2018) and Songbook 79 (2019), each made in collaboration with Byron Coley (Bad Taste Press/Tenderbooks).

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