Overview

In less than half a century, the Socialist Federal Republic of Yugoslavia successfully defeated Fascist occupation, fended off dominating pressures from the Eastern and Western blocs, built a modern society on the ashes of war, created its own form of socialism, and led the formation of the Nonaligned Movement. This country's principles and its continued battles, fought against all odds, provided the basis for dynamic and exceptional forms of art. Drawing on archival materials, postcolonial theory, and Eastern European socialist studies, Nonaligned Modernism chronicles the emergence of late modernist artistic practices in Yugoslavia from the end of the Second World War to the mid-1980s. Situating Yugoslav modernism within postcolonial artistic movements of the twentieth century, Bojana Videkanic explores how cultural workers collaborated with others from the Global South to create alternative artistic and cultural networks that countered Western hegemony. Videkanic focuses primarily on art exhibitions along with examples of international cultural exchange to demonstrate that nonaligned art wove together politics and aesthetics, and indigenous, Western, and global influences. An interdisciplinary book, Nonaligned Modernism highlights Yugoslavia's key role in the creation of a global modernist ethos and international postcolonial culture.

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9780773559455

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"""Still, the problem of integrating national stories into greater, transnational narratives is a key challenge in the field today – a challenge that Nonaligned Modernism takes head-on. With its emphasis on larger socio-political forces and the institutional structures they engendered, the book offers a thorough, well-researched cultural history of a country that still deserves a more prominent place in the art histories of modernism, 'global' or otherwise."" RACAR"

Still, the problem of integrating national stories into greater, transnational narratives is a key challenge in the field today - a challenge that Nonaligned Modernism takes head-on. With its emphasis on larger socio-political forces and the institutional structures they engendered, the book offers a thorough, well-researched cultural history of a country that still deserves a more prominent place in the art histories of modernism, 'global' or otherwise. RACAR

Author Information

Bojana Videkanić is assistant professor of visual culture at the University of Waterloo.

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