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OverviewNoël Carroll is one of the most prolific, widely-cited and distinguished philosophers of art, but how, specifically, has cinema impacted his thought? This book, one of the first in the acclaimed 'Film Thinks' series, argues that Carroll's background in both cinema and philosophy has been crucial to his overall theory of aesthetics. Often a controversial figure within film studies, as someone who has assertively contested the psychoanalytic, semiotic and Marxist cornerstones of the field, his allegiance to alternative philosophical traditions has similarly polarised his readership. Mario Slugan proposes that Carroll's defence of the notions of truth and objectivity provides a welcome antidote to 'anything goes' attitudes and postmodern scepticism towards art and popular culture, including film. Carroll's thinking has loosened the grip of continental philosophers on cinema studies - from Maurice Merleau-Ponty to Gilles Deleuze and Jacques Lacan - by turning to cognitive and analytical approaches. Slugan goes further to reveal that Carroll's methods of evaluation and interpretation in fact, usefully bridge gaps between these `opposing' sides, to look at artworks anew. Throughout, Slugan revisits and enriches Carroll's definitions of popular art, mass art, horror, humour and other topics and concludes by tracing their origins to this important thinker's relationship with the medium of cinema. Full Product DetailsAuthor: Mario Slugan (Queen Mary University of London, UK)Publisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris Weight: 0.384kg ISBN: 9781788312295ISBN 10: 1788312295 Pages: 232 Publication Date: 30 January 2019 Audience: College/higher education , College/higher education , Professional and scholarly , Tertiary & Higher Education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Acknowledgements Introduction 1. Institutional Context 2. Film Theory 3.Assessment of Theory 4. Analytic and Cognitivist Debates 5. Interpretation and Filmmaking 6. Philosophy of Art Conclusion Bibliography IndexReviewsAuthor InformationMario Slugan is Lecturer in Film Studies, Queen Mary University of London, UK. He is the author of Montage as Perceptual Experience: Berlin Alexanderplatz from Döblin to Fassbinder (2017), Noël Carroll on Film: A Philosophy of Art and Popular Culture (Bloomsbury, 2018), and Fiction and Imagination in Early Cinema (Bloomsbury, 2019). He is also the editor of an open-access peer-reviewed academic journal Apparatus: Film, Media and Digital Cultures of Central and Eastern Europe and book review editor for Early Popular Visual Culture. Tab Content 6Author Website:Countries AvailableAll regions |
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