Overview

In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. The chart-topping, spiritually inflected music created a space in popular culture for talk of Jesus, God, and Christianity, thus lessening for baby boomers and their children the stigma associated with religion while helping to fill churches and create new modes of worship. Stowe shows how evangelicals' increasing acceptance of Christian pop music ultimately has reinforced a variety of conservative cultural, economic, theological, and political messages.

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9781469606873

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Reviews

A compelling spiritual biography of--and a vivid memory book for--the boomer generation . . . a rich source for further thought on America's n th Great Awakening. -- Journal of Religion

Highly entertaining. . . . Those concerned with God's missional activities in America, past and present, would benefit richly from this book, as it analyzes a movement that deserves to be counted among America's great revivals. <br>- Missiology

David Stowe's fascinating book reveals how Christian rock music changed and shaped contemporary evangelicalism. No Sympathy for the Devil is an engaging read that provides a compelling look at the 'secret history' of religion and pop music. --Randall Balmer, author of The Making of Evangelicalism: From Revivalism to Politics and Beyond <br><br>

A useful look at the early days of evangelical popular culture that shows that the walls between the secular and evangelical worlds are not thin, but nonexistent. - The Southern Register

"A compelling spiritual biography of--and a vivid memory book for--the boomer generation . . . a rich source for further thought on America's nth Great Awakening.--Journal of Religion A must-read for anyone seeking to understand the relationship between evangelical Christianity and popular music.--Register of the Kentucky Historical Society Highly entertaining. . . . Those concerned with God's missional activities in America, past and present, would benefit richly from this book, as it analyzes a movement that deserves to be counted among America's great revivals.--Missiology Recommended. Most levels/libraries.--Choice Stowe has provided an intriguing, important, and readable book, ably showing both the sympathies that conservative Christians held toward the ""devil"" of rock 'n roll and countercultural affectations.--Journal of Southern Religion Stowe offers a serious and impressive examination. . . . Anyone even remotely interested in American or religious studies will be captivated by this study.--Publishers Weekly Stowe's book is an admirable effort and one of the few real histories of this genre that is still in print.--School of the Rock blog Stowe's engaging book makes an excellent contribution; I recommend it highly for both scholars and students.--Journal of American History The exploration of musical/social/political connections is perhaps the greatest strength of this well-written, carefully researched book. Stowe explains the early development of Christian pop and rock music more thoroughly than perhaps any other book available.--Library Journal starred review The real success story of political pop in recent history is the saga of Christian rock. . . Stowe follows Christian pop as it evolves from sound-tracking the left-leaning countercultural Jesus movement, with its saucer-eyed teen burnouts baptized in the surf of '60s Corona del Mar, California, to mobilizing Jerry Falwell's Moral Majority and the Reagan Revolution.--Bookforum"

Author Information

David W. Stowe is professor of English and religious studies at Michigan State University, USA.

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