Nature and the Idea of a Man-Made World: An Investigation into the Evolutionary Roots of Form and Order in the Built Environment

Author:   Norman Crowe
Publisher:   MIT Press Ltd
Edition:   New edition
ISBN:  

9780262531467


Pages:   290
Publication Date:   22 January 1997
Recommended Age:   From 18
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Nature and the Idea of a Man-Made World: An Investigation into the Evolutionary Roots of Form and Order in the Built Environment


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Author:   Norman Crowe
Publisher:   MIT Press Ltd
Imprint:   MIT Press
Edition:   New edition
Dimensions:   Width: 17.30cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9780262531467


ISBN 10:   0262531461
Pages:   290
Publication Date:   22 January 1997
Recommended Age:   From 18
Audience:   General/trade ,  Adult education ,  College/higher education ,  General ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Part 1 The idea of a man-made world: search for a balanced world; expressions of an ideal relationship with nature; duality of man and nature; our shifting idea of nature; scientific objectivity and the humanistic's critique; summary and comments on method. Part 2 Geometry and the primacy of dwelling: from a life in nature to living in a setting shaped by man; architecture as a paradigm for order; three houses in nature; primacy of the house; natural sources for the geometry of architecture;; the nature of man-made things; the stamp of custom and convention; summary - dwelling and the sources of order. Part 3 Nature and the sense of place: place and the formation of culture; psychological and social importance of 'place'; 'place' as concrete versus abstracts; the Pantheon - a place as a metaphor for the cosmos; Muuratsalo - settlement and founding a place in nature; summary - nature and the sense of place. Part 4 Unity and the idea of harmony: the structure behind the myth; harmony, idealism, and the quest for beauty; structural analysis; the quest for unity; the Polis and the idea of s sustainable city; scale and the problem of unity; the Greek temple and the tree; summary - unity and the idea of harmony. Part 5 Time and the evolution of things: time and place as related qualities of existence; the evolution of things; invention and discovery; evolution and the nature of things; seeking meaning in time; imitation and an evolution for architecture; the orders of architecture;; the analogy of language; natural theories of architecture; summary - time and the evolution of things. Part 6 Timelessness and the idea of the classical: the idea of classical; western classical architecture - the rules; classical language of the Sung dynasty building standards; Sukiya architecture of Japan; the Sufi tradition; balancing the timeless and the temporal; common law and the evolution of custom; classical thought as the means rather than the end; summary - the timeless and the idea of the classical. Part 7 Nature and the city: the transitory city of the present; is the city natural? the city as a house; time, place, and the world beyond; summary - nature and the city.

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Norman Crowe seeks the wonderment of a cooperation between thenatural and the man-made world, and he does so with the hand of anexcellent writer. As a professor and teacher of architecture, hehas reached out well beyond most of his colleagues to understandthe history and ideas governing the current state of architecture srelation to nature. Kent Bloomer , Yale University Norman Crowe offers a plausible set of interpretations of the nature of the world that humankind has already built, as well as useful guidance on how we might build better in the future than we are doing now. In contrast with many conventional books that deal with the architecture of the past, he teaches us to see buildings not just as facade patterns and spaces, but also as experiences, feelings, symbols, manmade landscapes, places. This is enormously important. Edward Allen, Architect


Norman Crowe seeks the wonderment of a cooperation between the natural and the man-made world, and he does so with the hand of an excellent writer. As a professor and teacher of architecture, he has reached out well beyond most of his colleagues to understand the history and ideas governing the current state of architecture's relation to nature. --Kent Bloomer, Yale University


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