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OverviewFull Product DetailsAuthor: Jac SaorsaPublisher: Intellect Imprint: Intellect Books Dimensions: Width: 17.80cm , Height: 1.40cm , Length: 22.90cm Weight: 0.562kg ISBN: 9781841504605ISBN 10: 1841504602 Pages: 222 Publication Date: 15 December 2011 Audience: Professional and scholarly , Professional and scholarly , Professional & Vocational , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsPreface Chapter 1: Act and Form Introduction: first words – The journey begins – A meaningful psychosis – What is philosophy? – What is art? – The nature of the concept – The concept visualised – What is science? The pre-eminence of the rhizome over the metaphor – Root, stem and rhizome – 1st Articulation – The rhizome as a conceptual construct: map and tracing 2nd Articulation: Interpreting Process in the Flux: The Return of Professor Challenger Chapter 2: Lost Worlds, Unfamiliar Landscapes: Conceptualising the Text The Text and the ‘Other’ – Language – Hermeneutics – Edmund Husserl (1859–1938) – Martin Heidegger (1889–1976) – Hermeneutics and Visual Understanding Hans George Gadamer (1900–2002) – Paul Ricoeur (1913–2005) 3rd Articulation: The Dance of the Metaphor Chapter 3: Language and the Line: The Geometrical Abstract Line of Becoming Drawing on Conversation: Introduction – The relevance and irrelevance of language – Textual bilingualism – Interlanguage – Structure and the interpretation of the text – Depth – From looking to seeing: Alice and the architectural illusion – Narrative identity and ‘The Idiot’ Chapter 4: Drawing Out Deleuze Documenting the Stone: The artist’s voice – Practice and process: i: a passion for the line – ii: process and its histories – iii: the phenomenographical stone – iv: the drawing act – v: time, movement, becoming, cause, effect and ‘confatalia’ – The shift: structure to figuration. 4th Articulation: Mapping the Mark Chapter 5: The ‘Appleyness’ of the Apple: On Cézanne and the Figure Head: Revisiting the shift: from figuration towards structure – Sensation – Love in twodimensions – Superficial anatomy – Anatomical architecture – The consequence of the heart – Autoethnography: the echoing artist’s voice Chapter 6: Ageless Children and Amputees Amputee: In the valley of interpretation – An artist for scientists, a scientist for artists – Reflexion, interpretation appropriation – Reflexive philosophy, narrative identity and the teleological context – Time, self, and appropriation beyond narrative – Representation, figuration and the figure: a folded text 5th Articulation: Bony Landmarks Chapter 7: Circling the Figure The Dyer Drawing: Circling the Figure (Author’s note) – Introduction – The Dyer drawing and the drawing act – John Deakin – Deakin and Muybridge: subject, object, form, function – Moving towards sensation – Practice: through which the child becomes the man – An autoethnographic account – The ‘Diagram’ – The ‘Catastrophe’ – Rhythm – The Body Without Organs – Exit the artist Chapter 8: Figuring the Circle: The Final Refrain Introduction – The hermeneutic circle – The Deleuzean ‘Refrain’ – Shadows of the Self and the eternal paradox: The autoethnographic trap – Last words – The interpretive journey of Narrating the CatastropheReviewsAuthor InformationDr Jac Saorsa is a visual artist and writer. She holds an MPhil in Philosophy from Glasgow University, and a PhD in Contemporary Drawing Practice from Loughborough University. For the past decade, she has taught in universities in Costa Rica and in Cyprus, and has presented her work internationally at exhibitions, conferences, and seminars. Tab Content 6Author Website:Countries AvailableAll regions |
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