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OverviewThe dawning era of nanotechnology promises to transform life as we know it. Visionary scientists are engineering materials and devices at the molecular scale that will forever alter the way we think about our technologies, our societies, our bodies, and even reality itself. Colin Milburn argues that the rise of nanotechnology involves a way of seeing that he calls ""nanovision."" Trekking across the technoscapes and the dreamscapes of nanotechnology, he elaborates a theory of nanovision, demonstrating that nanotechnology has depended throughout its history on a symbiotic relationship with science fiction. Nanotechnology's scientific theories, laboratory instruments, and research programs are inextricable from speculative visions, hyperbolic rhetoric, and fictional narratives. Milburn illuminates the practices of nanotechnology by examining an enormous range of cultural artifacts, including scientific research articles, engineering textbooks, laboratory images, popular science writings, novels, comic books, and blockbuster films. In so doing, he reveals connections between the technologies of visualization that have helped inaugurate nano research, such as the scanning tunneling microscope, and the prescient writings of Robert A. Heinlein, James Blish, and Theodore Sturgeon. He delves into fictive and scientific representations of ""gray goo,"" the nightmare scenario in which autonomous nanobots rise up in rebellion and wreak havoc on the world. He shows that nanoscience and ""splatterpunk"" novels share a violent aesthetic of disintegration: the biological body is breached and torn asunder only to be refabricated as an assemblage of self-organizing machines. Whether in high-tech laboratories or science fiction stories, nanovision deconstructs the human subject and galvanizes the invention of a posthuman future. Full Product DetailsAuthor: Colin MilburnPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.50cm Weight: 0.431kg ISBN: 9780822342656ISBN 10: 0822342650 Pages: 296 Publication Date: 28 October 2008 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Awaiting stock  The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsAcknowledgments vii Introduction: The Singularity of Nanovision 1 1. Nanotechnology in the Age of Posthuman Engineering: Science as Science Fiction 19 2. Small Worlds: Beyond the Limits of Fabrication 59 3. The Horrors of Goo: Molecular Abjection and the Domestication of Nanotechnology 111 4. Nano/Splatter: Disintegrating the Postbiological Body 161 Notes 189 Bibliography 231 Index 267ReviewsA paradox: we see the future utterly transformed by nanotechnology and related technosciences; because the future is transformed, we cannot see it at all. Spiraling out from this central insight, Nanovision explores the cultural and social implications of nanotechnology through a wide range of material-semiotic-discursive effects. Witty, incisive, and insightful, Nanovision is essential reading for anyone interested in where we are now and where we might be headed. -N. Katherine Hayles, Duke University There has been so much hype and controversy surrounding nanotech that it has been hard to figure out what it really is or might become. This wonderful book spectacularly clarifies matters, providing the new field with its history and with a paradigm that allows us to judge its present situation and whatever future may emerge. That Colin Milburn is also often wickedly funny is much appreciated, and a very appropriate response to nanotech's constant evocations of paradise or apocalypse. -Kim Stanley Robinson, author of the Mars Trilogy There has been so much hype and controversy surrounding nanotech that it has been hard to figure out what it really is or might become. This wonderful book spectacularly clarifies matters, providing the new field with its history and with a paradigm that allows us to judge its present situation and whatever future may emerge. That Colin Milburn is also often wickedly funny is much appreciated, and a very appropriate response to nanotech's constant evocations of paradise or apocalypse. --Kim Stanley Robinson, author of the Mars Trilogy A paradox: we see the future utterly transformed by nanotechnology and related technosciences; because the future is transformed, we cannot see it at all. Spiraling out from this central insight, Nanovision explores the cultural and social implications of nanotechnology through a wide range of material-semiotic-discursive effects. Witty, incisive, and insightful, Nanovision is essential reading for anyone interested in where we are now and where we might be headed. --N. Katherine Hayles, Duke University Nanovision was reviewed in the Times Higher Education on the 18th December 2008 Author InformationColin Milburn is Assistant Professor of English and a member of the Science and Technology Studies Program at the University of California, Davis. 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