Music in American Religious Experience

Author:   Philip V. Bohlman (Professor of Music and Jewish Studies, Professor of Music and Jewish Studies, University of Chicago) ,  Edith Blumhofer (Director, Director, Institute for the Study of American Evangelicals, Wheaton College) ,  Maria Chow (Director of Acadmeic Studies and Lecturer, Director of Acadmeic Studies and Lecturer, Hong Kong Academy of Performing Arts)
Publisher:   Oxford University Press Inc
ISBN:  

9780195173031


Pages:   368
Publication Date:   13 January 2005
Format:   Hardback
Availability:   To order   Availability explained
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Music in American Religious Experience


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Author:   Philip V. Bohlman (Professor of Music and Jewish Studies, Professor of Music and Jewish Studies, University of Chicago) ,  Edith Blumhofer (Director, Director, Institute for the Study of American Evangelicals, Wheaton College) ,  Maria Chow (Director of Acadmeic Studies and Lecturer, Director of Acadmeic Studies and Lecturer, Hong Kong Academy of Performing Arts)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.60cm , Height: 3.10cm , Length: 16.00cm
Weight:   0.630kg
ISBN:  

9780195173031


ISBN 10:   0195173031
Pages:   368
Publication Date:   13 January 2005
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Music in American Religious Experience is a fine collection of essays that enlighten us on a great variety of research topics concerning sacred music in America. The articles that discuss Lutheran hymnody and worship are ground breaking, and it would do Lutheran church musicians well to read them. By doing so, their understanding of the music that they use weekly in worship will be deeper and their consideration of other religious groups will gain them appreciation for the musical traditions of those people. --Cross Accent Music in American Religious Experience is a welcome contribution to musicology.... Those who have contributed to this project have written essays as diverse as they are enlightening. --Journal of the Society for American MusicThis varied and insightful volume focuses on music as apart of the American religious experience, from the time of the The Bay Psalm Book (1640) to the present. The contributors are scholars in musicology and history, and the essays show the diverse ways that music has imprinted itself on the religious consciousness and history of the US. The editors divide the book into four parts. Offering a fascinating and unique look at American music and religion, this book examines topics and relationships previously unresearched and undocumented. --Choice Music in American Religious Experience positions music and religion at the very heart of North American everyday life. Central to the sacred journey embraced by the religious communities and traditions documented in this book, music contributes to the formation of communities--Hutterites in Canada, Old Regular Baptists in Kentucky, Chinese Americans churches, Wabanaki Catholics, Jewish synagogues in Boston, and many more--as they negotiate historical, contemporary, and frequently politicized identities. The rich essays included in this book suggest that a vibrant sacred soundscape exists in America's churches and synagogues, often in our own backyard! --Grego


Author Information

Philip V. Bohlman teaches at the University of Chicago, where he is Mary Werkman Professor of the Humanities and of Music, Chair of the Committee on Jewish Studies, and Artistic Director of the cabaret ensemble, New Budapest Orpheum Society. Edith L. Blumhofer is Professor of History and Director of the Institute for the Study of American Evangelicals at Wheaton College (Illinois). Maria M. Chow is a native of Hong Kong, and her Ph.D. dissertation (University of Chicago) is a study of the modern discourse on music and its impact on the Chinese national self-identity in the first half of the twentieth century.

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