Overview

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films. Music for Prime Time is the first serious, journalistic history of music for American television. It is the product of thirty-five years of research and more than 450 interviews with composers, orchestrators, producers, editors, and musicians. Based on, but vastly expanded and revised from, an earlier book by the same author, this wide-ranging narrative not only tells the backstory of every great TV theme but also examines the many neglected and frequently underrated orchestral and jazz compositions for television dating back to the late 1940s. Covering every series genre (crime, comedy, drama, westerns, action-adventure, fantasy, and sci-fi), it also looks at music for animated series, news and documentary programming, TV-movies, and miniseries, and how music for television has evolved in the era of cable and streaming options. It is the most comprehensive history of television scoring ever published.

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Jon Burlingame is one of the nation's leading writers on the subject of music for films and television. He writes regularly for Variety and has also written for the New York Times, Los Angeles Times, Washington Post, the Hollywood Reporter, and Premiere magazine. He teaches film-music history at the University of Southern California, hosts the For Scores podcast, and is the author of five books, including the bestselling and Deems Taylor Award-winning The Music of James Bond. Paul Woodson has won SOVAS & Earphones awards, and has recorded close to 350 audiobooks in many different genres--including romance, fiction, history, biography, and mystery--in American and British accents--and received his BFA in acting at Boston University. In his theater days, he worked in many NYC shows, toured the USA and Europe, and starred in NYC as Vincent van Gogh in the sung-through, OOBR Award-winning musical Vincent. He enjoys backpacking the Appalachian Trail and visiting national parks in his spare time. He is a member of SAG-AFTRA.

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