Music and Moral Management in the Nineteenth-Century English Lunatic Asylum

Author:   Rosemary Golding
Publisher:   Springer Nature Switzerland AG
Edition:   1st ed. 2021
ISBN:  

9783030785246


Pages:   369
Publication Date:   02 September 2021
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Music and Moral Management in the Nineteenth-Century English Lunatic Asylum


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Author:   Rosemary Golding
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2021
Weight:   0.632kg
ISBN:  

9783030785246


ISBN 10:   3030785246
Pages:   369
Publication Date:   02 September 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction 2. Asylums, Moral Management, and Music 3. Music in the Asylum: an Overview   Part 1. Pauper Asylums 4. Norfolk County Asylum: Moral Management and the Asylum Band 5. West Riding Asylum: Music and Theatre in the Large-Scale Pauper Asylum 6. Gloucestershire County Asylum: Private, Charitable and Pauper Patients 7. Worcestershire County Asylum: Patients, Attendants, Officers and Professional Musicians 8. Brookwood Asylum: Music at the centre of Moral Therapy   Part 2. Private and Charitable Asylums 9. York Retreat: Moral Management and Music in a Quaker Context 10. Bethlem Hospital: Talented Staff in an Urban Setting 11. Barnwood House: Music in the Small Asylum 12. Holloway Sanatorium: The Middle-Class Experience   13. Conclusion Bibliography Index

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Author Information

Rosemary Golding is Senior Lecturer in Music at The Open University UK, where she has taught since 2009. Her research interests are centred on the social history of music in nineteenth-century Britain, specifically the status and identity of music and musicians, music as an academic subject, the music profession, and the connections between music, health, morality, and wellbeing. Among her publications are the monograph Music and Academia in Victorian Britain (2013) and the edited collection of essays The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity (2018).

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