Overview

Full Product Details

Author:   Lee Marshall ,  Simon Frith
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   2nd edition
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.476kg
ISBN:  

9780415972529

ISBN 10:   0415972523
Pages:   228
Publication Date:   03 August 2004
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

1. Introduction: Making Sense of Copyright (Simon Frith & Lee Marshall) PART 1: CONCEPTUAL APPROACHES 2. The History and Philosophy of Copyright (Martin Kretschmer, Bournemouth) 3. Copyright and Economics (Ruth Towse, Rotterdam, Netherlands) 4. Copyright, Politics and the International Music Industry (Dave Laing, Westminster) PART 2: COPYRIGHT AND EVERYDAY LIFE 5. Copyright Law and Power in the Music Industry (Steve Greenfield & Guy Osborn, Westminster) 6. Copyright and the Composer (Roger Wallis, Stockholm, Sweden) 7. Musicians (Jason Toynbee, Liverpool) 8. Technology, Creative Practice and Copyright (Paul Théberge, Ottawa, Canada) 9. Traditional Music Ownership in a Commodified World (Anthony Seeger, UCLA) 10. Music and the Media (Simon Frith, Stirling) 11. Infringers (Lee Marshall, East Anglia) Afterword: Where Now for Copyright? (Simon Frith & Lee Marshall)

Reviews

This New edition satisfyingly updates an already tried and tested book . -- Brian Cockburn, James Madison University, Notes

This New edition satisfyingly updates an already tried and tested book. -Brian Cockburn, James Madison University, Notes, 09/2005

This New edition satisfyingly updates an already tried and tested book<br>. <br>-Brian Cockburn, James Madison University, Notes, 09/2005 <br>

Author Information

Lee Marshall is Lecturer in Sociology at the University of East Anglia (UK). Simon Frith is Professor of Film and Media at the University of Stirling (UK). He has published widely on popular music, including PopularMusic: Politics, Policies and Institutions (Routledge, 1993); Sound and Vision: Music, Video, Television(Routledge, 1993); On Record: Rock, Pop and the WrittenWord (Routledge, 1990); and many other works.

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