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OverviewIn this fascinating and generously illustrated book, Romy Golan explores mural and mural-like works in Europe from the 1920s to the 1950s, beginning with Monet's installation of the Nymphéas at the Musée de l'Orangerie in Paris, and ending dramatically with Le Corbusier's huge tapestries in Chandigarh, India. Many artists and critics looked to the mural as a corrective to the ills of painterly Modernism: the disruption of the pictorial field at the hands of Cubism and other avant-garde practices; the commodification of painting through the market for easel paintings; and more generally the alienation of man and the anomie of art in the modern condition. At the same time it was clear that a return to the mural format would never be more than an anachronistic and futile gesture. This book is therefore about mural paintings that are not convinced they belong on walls: such strange objects as mosaics designed to be disassembled; paintings that resemble large-scale photographs, or photomurals; and tapestries that functioned as portable woolen walls. The author argues that the uncertain relation of these objects to the wall is symptomatic of the dilemmas that troubled European art, artists, and architects during the middle decades of the twentieth century. Full Product DetailsAuthor: Romy GolanPublisher: Yale University Press Imprint: Yale University Press Dimensions: Width: 22.90cm , Height: 0.30cm , Length: 27.90cm Weight: 1.792kg ISBN: 9780300141535ISBN 10: 030014153 Pages: 256 Publication Date: 01 September 2009 Audience: General/trade , General Format: Hardback Publisher's Status: Out of Print Availability: In Print Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of ContentsReviewsAuthor InformationRomy Golan is professor of twentieth-century art at the Graduate Center and Lehman College, The City University of New York. Tab Content 6Author Website:Countries AvailableAll regions |