Multimodality and Translanguaging in Video Interactions

Author:   Maria Grazia Sindoni (Università degli Studi di Messina, Italy)
Publisher:   Cambridge University Press
ISBN:  

9781009454162


Pages:   104
Publication Date:   21 December 2023
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Multimodality and Translanguaging in Video Interactions


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Overview

This Element presents and critically discusses video-mediated communication by combining theories and empirical methods of multimodal studies and translanguaging. Since Covid-19 gained momentum, video-based interactions have become more and more ingrained in private and public lives and to the point of being fully incorporated in a wide range of community practices in personal, work and educational environments. The meaning making of video communication results from the complex, situationally based and culturally influenced and interlaced components of different semiotic resources and practices. These include the use of speech, writing, translingual practices, gaze behaviour, proxemics and kinesics patterns, as well as forms of embodied interaction. The Element aims at unpacking these resources and at interpreting how they make meanings to improve and encourage active and responsible participation in the current digital scenarios.

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Author:   Maria Grazia Sindoni (Università degli Studi di Messina, Italy)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
ISBN:  

9781009454162


ISBN 10:   1009454161
Pages:   104
Publication Date:   21 December 2023
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction; 2. Familiar, reconfigured, and emergent uses of speech and writing; 3. Translanguaging practices as meaning-making resources; 4. The repurposing of gaze in video-mediated scenarios; 5. The onscreen distribution of movement and the construction of distance; 6. Conclusions; References.

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