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OverviewFull Product DetailsAuthor: James E. Cutting (Susan Linn Sage Professor of Psychology, Emeritus, Susan Linn Sage Professor of Psychology, Emeritus, Cornell University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.90cm , Height: 2.40cm , Length: 16.40cm Weight: 0.812kg ISBN: 9780197567777ISBN 10: 0197567770 Pages: 400 Publication Date: 30 November 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents1. The Power of Movies and a Method to Study It 2. Popular Movies and Technology 3. Viewing and Lenses 4. Mise-en-Cadre 5. Transitions 6. An Interlude on Shots and Cultural Change 7. Shots and Sound 8. The Most Important Shot in Popular Cinema 9. Continuity, Discontinuity, and Scenes 10. Montages, Sequences, and Syntagmas 11. Stories and Their Parts 12. Narrational Complexity 13. The Web and Flow of Popular Cinema 14. Structure, Evolution, and EngagementReviewsThe goal of this engaging, readable narrative is to depict the psychological mechanisms filmmakers exploit to manipulate viewers' perception and attention and how the process corresponds to encoding and retrieval of information and to subsequently experienced emotion, all within historical context. * G. C. Gamst, CHOICE * The goal of this engaging, readable narrative is to depict the psychological mechanisms filmmakers exploit to manipulate viewers' perception and attention and how the process corresponds to encoding and retrieval of information and to subsequently experienced emotion, all within historical context. * G. C. Gamst, CHOICE * Movies on Our Mind covers a wide range of topics and research methods, making it an essential read for anyone interested in the psychology of cinematography. The book provides valuable insights for cinematographers who want to understand the potential impact of their creative decisions and for psychologists seeking quantitative methods to investigate the impact of formal features on viewers' narrative engagement with cinema. With its diverse research fi ndings and thought-provoking ideas, this book is a must-read for those who want to delve deeper into the fascinating intersection between psychology and film. * KE Bálint, Projections: The Journal for Movies and Mind * Author InformationJames E. Cutting is a Susan Linn Sage Professor of Psychology, Emeritus, at Cornell University, and a Fellow of the Society for Cognitive Studies of the Moving Image. He has written extensively on artistic canons and how we perceive the world around us. He has also worked in the entertainment industry at the one-time Atari Sunnyvale Research Laboratory. Tab Content 6Author Website:Countries AvailableAll regions |
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