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Author:   Rina Talgam (The Hebrew University of Jerusalem)
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Dimensions:   Width: 22.90cm , Height: 4.90cm , Length: 27.90cm
Weight:   2.563kg
ISBN:  

9780271060842

ISBN 10:   0271060840
Pages:   600
Publication Date:   29 July 2014
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Contents Preface and Acknowledgments Introduction Part I: The Mosaics of the Holy Land in the Hellenistic and Roman Periods Introduction Chapter 1: The Mosaics in the Hellenistic and Early Roman Periods Chapter 2: The Mosaics of the Late Roman Period Part II: The Mosaics of the Holy Land in the Byzantine Period Introduction Chapter 3: The Compositional Trends in Floor Mosaics of the Byzantine Period Chapter 4: The Stylistic Developments of Byzantine Mosaics Chapter 5: The Church as the Heir of the Tabernacle and Solomon's Temple Chapter 6: The Synagogue as a Lesser Temple Chapter 7: Samaritan Self-Determination Chapter 8: The Mosaics in Secular Buildings Part III: Mosaics of the Holy Land from the Muslim Conquest to the End of the Eighth Century Introduction Chapter 9: Church Mosaics Chapter 10: Synagogue Mosaics Chapter 11: Mosaics Under Muslim Patronage Chapter 12: The Defacement of Images Summary List of Abbreviations Bibliography Index

Reviews

In this magisterial study, Rina Talgam gives full justice to all aspects of the floor mosaics of the Holy Land in their multicultural contexts. Comprehensive, detailed, and well balanced in its conclusions, it will become the preeminent work of reference and interpretation in its field. --Henry Maguire, Johns Hopkins University

The volume is not only informative, creative, highly readable, but really beautiful. The numerous colour illustrations-the quality of which is always excellent-visualise well the author's treatment. One can say this book is a gold mine of related photographs in every aspect of Palestinian mosaic culture. -Geza G. Xeravits, Biblische Notizen The mosaic floors excavated in Palestine in the last century or so-pagan polytheist, Jewish, Christian, Samaritan, Muslim-represent a vibrant group of historical documents for understanding the multicultural development of religious identities. Rina Talgam's new book-comprehensive, detailed in discussion, wide ranging, superbly illustrated-offers a transformative account of this material, by far the best to date. -Jas Elsner, University of Oxford The mosaic floors excavated in Palestine in the last century or so-pagan polytheist, Jewish, Christian, Samaritan, Muslim-represent one of the most vibrant groups of historical documents in archaeology for understanding the multicultural development of religious identities (some discrete and separate, some syncretistic, all in different ways in dialogue with one another) in late antiquity. Rina Talgam's book-comprehensive, detailed in discussion, wide-ranging, superbly illustrated-offers a transformative account of this material, by far the best to date. She takes the reader through a deep and enlightening historical survey of the excavated materials, offering insight and up-to-date information on a vast and wonderful corpus, and not eschewing controversial topics such as iconoclasm and the destruction of figurative images in the eighth century. -Jas Elsner, University of Oxford One of the great merits of this book lies in its integration of the methods of art historical and historical analyses. We are not just given a survey of mosaics as works of art, nor are the pavements seen only as documents to be mined for historical information, but rather we find a subtle combination of the two approaches. Talgam asks, for example, why it was that `the Jews did not develop a distinctive style of their own.' . . . For them, it was not necessary to distinguish themselves with a particular stylistic practice, even while they developed an iconography that differentiated their places of worship from those of the Christians. This is among the many fascinating questions raised by this rich study, which for many years to come will be the standard work of reference on the mosaics of ancient Palestine, in all of their cultural and artistic complexity. -Henry Maguire, Biblical Archaeology Review Magazine In this magisterial study, Rina Talgam gives full justice to all aspects of the floor mosaics of the Holy Land in their multicultural contexts. Comprehensive, detailed, and well balanced in its conclusions, it will become the preeminent work of reference and interpretation in its field. -Henry Maguire, Johns Hopkins University In Mosaics of Faith, Rina Talgam has accomplished the heroic task of providing a chronological and comparative review of the many mosaics of Palestine as they survive in contemporary Israel and Jordan today. These mosaics evoke the cults and tastes of pagans, Jews, Samaritans, Christians, and Muslims from before the Roman Empire to after the Muslim conquests. Her vast perspective is unparalleled and immediately establishes her work as an indispensable guide to the shared imagery of the faiths of the region. -Glen Bowersock, Institute for Advanced Study, Princeton This outstanding book examines a millennium of mosaic making in the Holy Land, discussing the mosaic art of pagans, Jews, Samaritans, Christians, and Muslims as a reflection of the social, intellectual, and religious world of each society and the interrelationships among them. Rina Talgam is not only an acknowledged authority on ancient art, and mosaics in particular, but also a highly experienced archaeologist who has participated in the excavation of mosaics. Technique and style play an important role in her study, along with analysis of iconography. This volume is of the utmost importance for the study of art and culture in the ancient Near East. -Yoram Tsafrir, Hebrew University of Jerusalem All those interested in the cultural life of the Holy Land in the period concerned will learn from this book. -Katherine M. D. Dunbabin, AIEMA Reports The result of immense and ongoing research, this readable book is lavishly illustrated in color. It will appeal to interested general readers and to scholars and students of art, religion, history, and anthropology. -N. Mactague, Choice This is a magisterial survey that deserves to take its place as the definitive work on the mosaics of the Holy Land. -Burlington Magazine

The mosaic floors excavated in Palestine in the last century or so--pagan polytheist, Jewish, Christian, Samaritan, Muslim--represent one of the most vibrant groups of historical documents in archaeology for understanding the multicultural development of religious identities (some discrete and separate, some syncretistic, all in different ways in dialogue with one another) in late antiquity. Rina Talgam's book--comprehensive, detailed in discussion, wide-ranging, superbly illustrated--offers a transformative account of this material, by far the best to date. She takes the reader through a deep and enlightening historical survey of the excavated materials, offering insight and up-to-date information on a vast and wonderful corpus, and not eschewing controversial topics such as iconoclasm and the destruction of figurative images in the eighth century. --Ja Elsner, University of Oxford

The mosaic floors excavated in Palestine in the last century or so--pagan polytheist, Jewish, Christian, Samaritan, Muslim--represent a vibrant group of historical documents for understanding the multicultural development of religious identities. Rina Talgam's new book--comprehensive, detailed in discussion, wide ranging, superbly illustrated--offers a transformative account of this material, by far the best to date. --Jas Elsner, University of Oxford The volume is not only informative, creative, highly readable, but really beautiful. The numerous colour illustrations--the quality of which is always excellent--visualise well the author's treatment. One can say this book is a gold mine of related photographs in every aspect of Palestinian mosaic culture. --G za G. Xeravits, Biblische Notizen All those interested in the cultural life of the Holy Land in the period concerned will learn from this book. --Katherine M. D. Dunbabin, AIEMA Reports The result of immense and ongoing research, this readable book is lavishly illustrated in color. It will appeal to interested general readers and to scholars and students of art, religion, history, and anthropology. --N. Mactague, Choice In this magisterial study, Rina Talgam gives full justice to all aspects of the floor mosaics of the Holy Land in their multicultural contexts. Comprehensive, detailed, and well balanced in its conclusions, it will become the preeminent work of reference and interpretation in its field. --Henry Maguire, Johns Hopkins University This outstanding book examines a millennium of mosaic making in the Holy Land, discussing the mosaic art of pagans, Jews, Samaritans, Christians, and Muslims as a reflection of the social, intellectual, and religious world of each society and the interrelationships among them. Rina Talgam is not only an acknowledged authority on ancient art, and mosaics in particular, but also a highly experienced archaeologist who has participated in the excavation of mosaics. Technique and style play an important role in her study, along with analysis of iconography. This volume is of the utmost importance for the study of art and culture in the ancient Near East. --Yoram Tsafrir, Hebrew University of Jerusalem This is a magisterial survey that deserves to take its place as the definitive work on the mosaics of the Holy Land. --Burlington Magazine One of the great merits of this book lies in its integration of the methods of art historical and historical analyses. We are not just given a survey of mosaics as works of art, nor are the pavements seen only as documents to be mined for historical information, but rather we find a subtle combination of the two approaches. Talgam asks, for example, why it was that 'the Jews did not develop a distinctive style of their own.' . . . For them, it was not necessary to distinguish themselves with a particular stylistic practice, even while they developed an iconography that differentiated their places of worship from those of the Christians. This is among the many fascinating questions raised by this rich study, which for many years to come will be the standard work of reference on the mosaics of ancient Palestine, in all of their cultural and artistic complexity. --Henry Maguire, Biblical Archaeology Review Magazine In Mosaics of Faith, Rina Talgam has accomplished the heroic task of providing a chronological and comparative review of the many mosaics of Palestine as they survive in contemporary Israel and Jordan today. These mosaics evoke the cults and tastes of pagans, Jews, Samaritans, Christians, and Muslims from before the Roman Empire to after the Muslim conquests. Her vast perspective is unparalleled and immediately establishes her work as an indispensable guide to the shared imagery of the faiths of the region. --Glen Bowersock, Institute for Advanced Study, Princeton

Author Information

Rina Talgam is Associate Professor of Art History at the Hebrew University of Jerusalem.

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