Overview

"It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly be appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, video games, YouTube, gifs, streaming, virtual reality. This book analyzes our experience of and engagement with horror by focusing on its form, paying special attention to the common ground, the styles and forms that move between mediums. It looks at the ways that moving-image horror addresses its audiences, the ways that it elicits, or demands, responses from its viewers, players, browsers. Camera movement (or ""camera"" movement), jump scares, offscreen monsters-horror innovates and perfects styles that directly provoke and stimulate the bodies in front of the screen. Analyzing films including Paranormal Activity, It Follows, and Get Out, video games including Amnesia: The Dark Descent, Layers of Fear, and Until Dawn, and TV shows including The Walking Dead and American Horror Story, Monstrous Forms argues for understanding horror through its sensational address, and dissects the forms that make that address so effective."

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9780190916275

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Reviews

In clear, accessible prose, and cutting across a broad swath of media to find their common appeals, Hart provides an answer-at once summative and new-to the discipline's most asked question: Why horror? -- Robert Spadoni, Case Western Reserve University

"""In clear, accessible prose, and cutting across a broad swath of media to find their common appeals, Hart provides an answer-at once summative and new-to the discipline's most asked question: Why horror?"" -- Robert Spadoni, Case Western Reserve University"

Author Information

Adam Charles Hart grew up in Washington State and worked as a film programmer and arts administrator in Seattle before entering academia. His recent research encompasses the horror genre, the American avant-garde, documentary media, and global new waves. His writings have appeared or are forthcoming in The Journal of Cinema and Media Studies, Imaginations, Studies in the Fantastic, and Discourse, as well as the book collections A Companion to the Horror Film and Gothic Cinema. He currently lives in Pittsburgh, where he teaches at the University of Pittsburgh.

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