Free Delivery Over $100
|
|
|||
|
||||
OverviewInside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self. Full Product DetailsAuthor: Roshanak KheshtiPublisher: New York University Press Imprint: New York University Press Dimensions: Width: 15.20cm , Height: 1.80cm , Length: 22.90cm Weight: 0.318kg ISBN: 9781479817863ISBN 10: 1479817864 Pages: 208 Publication Date: 23 October 2015 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgments ix Preface: Playing by Ear xv Introduction 1 1. The Female Sound Collector and Her Talking Machine 15 2. Listen, Inc.: Aural Modernity and Incorporation 39 3. Losing the Listening Self in the Aural Other 65 4. Racial Noise, Hybridity, and Miscegenation in World Music 82 5. The World Music Culture of Incorporation 108 Epilogue: Modernity's Radical Ear and the Sonic Infidelity of Zora Neale Hurston's Recordings 125 Notes 143 References 165 Index 173 About the AuthorReviewsRich in ethnographic fieldwork, Modernity s Earis a thunderous unsettling of the gendered and racialized assumptions we make about sound and listening. Innovatively pushing the limits of queer studies and critical race studies, Kheshti stretches the listening ear and retunes theoretical approaches to consider not only the way race sounds but how it is configured as sensually other. A field-changing book for queer studies and sound studies alike. -Deborah R. Vargas, author of Dissonant Divas in Chicana Music: The Limits of La Onda Author InformationRoshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego. Tab Content 6Author Website:Countries AvailableAll regions |
||||
