Mock Classicism: Latin American Film Comedy, 1930–1960

Author:   Nilo Couret
Publisher:   University of California Press
ISBN:  

9780520296855


Pages:   296
Publication Date:   16 March 2018
Format:   Paperback
Availability:   Out of stock   Availability explained
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Mock Classicism: Latin American Film Comedy, 1930–1960


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Overview

"In Mock Classicism Nilo Couret presents an alternate history of Latin American cinema that traces the popularity and cultural significance of film comedies as responses to modernization and the forerunners to a more explicitly political New Latin American Cinema of the 1960s. By examining the linguistic play of comedians such as Cantinflas, Oscarito and Grande Otelo, Niní Marshall, and Luis Sandrini, the author demonstrates aspects of Latin American comedy that operate via embodiment on one hand and spatiotemporal emplacement on the other. Taken together, these parallel examples of comedic practice demonstrate how Latin American film comedies produce a ""critically proximate"" spectator who is capable of perceiving and organizing space and time differently. Combining close readings of films, archival research, film theory, and Latin American history, Mock Classicism rethinks classicism as a discourse that mediates and renders the world and argues that Latin American cinema became classical in distinct ways from Hollywood.  "

Full Product Details

Author:   Nilo Couret
Publisher:   University of California Press
Imprint:   University of California Press
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.408kg
ISBN:  

9780520296855


ISBN 10:   0520296850
Pages:   296
Publication Date:   16 March 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

List of Illustrations ix Acknowledgments xi Introduction 1 1. Cantinflismo and Relajo's Peripheral Vision 22 2. The Call of the Screen: Nini Marshall and the Radiophonic Stardom of Argentine Cinema 68 3. Timing Is Everything: Sandrini's Stutter and the Representability of Time 111 4. Fictions of the Real: The Currency of the Brazilian Chanchada 153 5. Comedy Circulates Circuitously: Toward an Odographic Film History of Latin America 192 Notes 235 Selected Bibliography 263 Index 273

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Author Information

Nilo Couret is Assistant Professor in the Department of Romance Languages and Literatures at the University of Michigan.

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