Overview

Mining Couture: A Manifesto for Common Wear is a collaborative art project between the artists Barber Swindells and Leicestershire County Council's Snibston Discovery Museum, exploring the relationship between coal mining and fashion and its surprisingly rich cultural history. Featuring essays, interviews and discussions, illustrated with photographs, maps, video stills and more, Mining Couture is a unique study that merges history, fashion art and contemporary life. Delving into the notion of 'common wear' and focusing on its social context, the book is brought to life through first-hand written recollections by miners and industry workers, including an interview with the 1972 National Coal Queen Margaret Dominiak, alongside participation with contemporary artists and curators.

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9781907317927

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'Sincere and purposeful' Sleek Magazine 'There is no denying that old industrial Britain has become a fashionable and popular subject' The Observer 'Excellent book for fashion designers and students looking for workwear-inspired visual research, as well as showing an interesting insight into the final days of coal mining in the UK in the 60s and 70s'Arts Thread Featured in Crafts Magazine

Author Information

In 2010 Claire Barber and Steve Swindells formed the artist collaboration, Barber Swindells. The collaboration is founded on site-conditional and artist-in-residence contexts; often weaving everyday human narratives, places and activities into the content and production of their work. Working across art and craft disciplines the artists have no restrictions on media. Together the artists draw from national and international exhibition and artist-in-residence experience. Claire Barber graduated from the Royal College of Art in 1994 in Fine Art: Tapestry. Claire has received numerous commissions and residencies both nationally and internationally. Steve Swindells has exhibited his work, individually and collaboratively, across Europe, Asia and North America. In 2008 he completed a three-month residency at Ssamzie Space, Seoul, South Korea. Jessica Hemmings studied Textile Design at the Rhode Island School of Design and Comparative Literature at the University of London's School of Oriental and African Studies. She has written many articles for publications such as Bloom, Crafts and Selvedge. Currently she is associate Director of the Centre for Visual and Cultural Studies at the Edinburgh College of Art. She is the author of Black Dog's popular title, In the Loop: Knitting Now Professor Paul Ward studied at Queen Mary and Westfield College, University of London. He has taught at London Guildhall University, Middlesex University, the University of Westminster and Royal Holloway, University of London. He was visiting lecturer at the University of A Corua in Spain in 2004, and Fulbright-Robertson Professor of British History at Westminster College, Missouri, 2004 to 2005. Paul is co-director of the Academy for the Study of Britishness. He is a Fellow of the Higher Education Academy and the Royal Historical Society. Karen Gaskill is an independent curator and freelance researcher based in London, UK. Karen works nationally and internationally across independent venues and commercial gallery spaces, and has a PhD in Social Curation. Karen was the founder, co-director and curator of Interval from 2005-2009, an arts organization providing regular exhibition opportunities and a critical forum for emergent artists. Karen is a Senior Lecturer in Photography at Sheffield Hallam University, and guest lectures at institutions across the UK. June Hill is a writer and textile art curator. She contributes regularly to magazines and exhibition catalogues including Embroidery,Selvedge and Textile: The Journal of Cloth and Culture. Shelly Goldsmith is a textile artist based in Kent, England. Margaret Dominiak was National Coal Queen in 1972. She lives in Yorkshire, England.

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