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9781978838376

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""A studio director in the best and sometimes worst sense of the term, in this book Mervyn LeRoy finally gets his due—and then some: nineteen compact essays redress decades-old snubs, together rehabilitating the reputation of the director of such classics as Little Caesar and I Am a Fugitive from a Chain Gang. Mervyn LeRoy Comes to Town revisits old-school auteurism to help readers appreciate and understand the work of an unpretentious American artist."" -- Jon Lewis * author of Road Trip to Nowhere: Hollywood Encounters the Counterculture *

""A studio director in the best and sometimes worst sense of the term, in this book Mervyn LeRoy finally gets his due—and then some: nineteen compact essays redress decades-old snubs, together rehabilitating the reputation of the director of such classics as Little Caesar and I Am a Fugitive from a Chain Gang. Mervyn LeRoy Comes to Town revisits old-school auteurism to help readers appreciate and understand the work of an unpretentious American artist."" -- Jon Lewis * author of Road Trip to Nowhere: Hollywood Encounters the Counterculture * ""By offering the first sustained look at the career of Mervyn LeRoy, this book does something new, showing what a director-driven study can be like without the neo-romanticism of traditional auteur theory."" -- Patrick Keating * author of Film Noir and the Arts of Lighting *

Author Information

MURRAY POMERANCE is an independent scholar living in Toronto and the author of numerous books, including Edge of the Screen and Uncanny Cinema: Agonies of the Viewing Experience, as well as the editor or coeditor of dozens of books, including Autism in Film and Television: On the Island. R. BARTON PALMER is Calhoun Lemon Professor of Literature emeritus at Clemson University, where he founded the World Cinema program. Among numerous books and multiauthor volumes, he is the coauthor of Major Performers in Hollywood Noir and Hollywood’s Tennessee: The Williams Films and Postwar America, as well as the author of Shot on Location: Postwar American Cinema and the Exploration of Real Space.

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