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OverviewFull Product DetailsAuthor: Carol J. Clover , Carol J. CloverPublisher: Princeton University Press Imprint: Princeton University Press Edition: Updated Edition Volume: 15 Dimensions: Width: 14.00cm , Height: 1.80cm , Length: 21.60cm Weight: 0.227kg ISBN: 9780691166292ISBN 10: 0691166293 Pages: 276 Publication Date: 26 May 2015 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Language: English Table of ContentsReviews[A] brilliant analysis of gender and its disturbances in modern horror films... Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them... [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical victim-identified' look. --Linda Ruth Williams, Sight and Sound Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture... She suggests that the low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity. --Andrea Walsh, The Boston Globe Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times. --Misha Berson, San Francisco Chronicle Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen. --Wendy Lesser, Washington Post In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing. --Ramona Naddaff, Artforum Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy. --Desmond Ryan, Philadelphia Inquirer Fascinating, Clover has shown how the allegedly naive makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels --The Modern Review [A] brilliant analysis of gender and its disturbances in modern horror films... Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them... [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical victim-identified' look. --Linda Ruth Williams, Sight and Sound Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture... She suggests that the low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity. --Andrea Walsh, The Boston Globe Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times. --Misha Berson, San Francisco Chronicle Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen. --Wendy Lesser, Washington Post In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing. --Ramona Naddaff, Artforum Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy. --Desmond Ryan, Philadelphia Inquirer Fascinating, Clover has shown how the allegedly nave makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels --The Modern Review Author InformationCarol J. Clover is the Class of 1936 Professor Emerita in the departments of rhetoric, film, and Scandinavian at the University of California, Berkeley. She is the author of The Medieval Saga. Tab Content 6Author Website:Countries AvailableAll regions |
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