Overview

In these essays, Michael S. Roth uses psychoanalysis to build a richer understanding of history, and then takes a more expansive conception of history to decode the cultural construction of memory. He first examines the development in nineteenth-century France of medical criteria for diagnosing memory disorders, which signal fundamental changes in the understanding of present and past. He next explores links between historical consciousness and issues relating to the psyche, including trauma and repression and hypnosis and therapy. Roth turns to the work of postmodern theorists in connection with the philosophy of history and then examines photography's capacity to capture traces of the past. He considers how we strive to be faithful to the past even when we don't care about getting it right or using it productively. Roth concludes with essays defending pragmatic and reflexive liberal education. Drawing on his experiences as a teacher and academic leader, he speaks of living with the past without being dominated by it.

Full Product Details

9780231145695

Table of Contents

Reviews

Roth rules! A compulsive peeper into the corners of the historical past, he is the visual historian's historian. Not only because Roth is smart, not only because he finds odd things that captured people's attention in the past, not only because he is theoretically sophisticated without being dogmatic, but also because as a thinker and writer he is always able to engage his audience on every topic. -- Sander L. Gilman, Emory University With critical agility and grace, Roth's life-affirming and judicious work urges us to absorb the critical lessons of postmodern irony and resist the lure of cold and superior sophistication in favor of efforts to find meaning in ever renewed inquiries into who we think we are and what we want to be. -- Carolyn J. Dean, Brown University, author of Aversion and Erasure: The Fate of the Victim after the Holocaust In this excellent work, Roth provides sobering antidotes to recent hyperboles, claiming the most abject forms of victimization and trauma have recently become the ultimate forms of legitimation. A lucid, boldly interdisciplinary book, Roth's work will stimulate exchange among historians, critical theorists, literary critics, students of visual culture, and all readers concerned about the fate of liberal education. -- Dominick La Capra, Cornell University This collection revises our normal conceptions of the relation between 'history' and 'the past.' Roth's essays challenge us to rethink the links among history, psychoanalysis, philosophy, and the body. -- Hayden White, University of California, Santa Cruz exceptional and wide-ranging -- Robert Eaglestone Times Higher Education 1/26/2012

<p>Michael Roth rules! A compulsive peeper into the corners of the historical past, Roth is the visual historian's historian. Not only because he is smart, not only because he finds odd things that captured people's attention in the past, not only because he is theoretically sophisticated without being dogmatic, but also because as a thinker and writer he is always able to engage his audience on every topic. This collection of his miscellaneous pieces shows his depth and his breadth. From Freud to film, from the photograph to the politics of higher education, Michael Roth rules!--Sander L. Gilman, Emory University

Author Information

Michael S. Roth is the president of Wesleyan University and the author of five books, including The Ironist's Cage: Trauma, Memory, and the Construction of History and Knowing and History: Appropriations of Hegel in Twentieth-Century France. He has also edited several books of intellectual and cultural history, and he curated an exhibition entitled Sigmund Freud: Conflict and Culture, which opened at the Library of Congress.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available