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9781107559523

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'A fascinating dialogue between two literary periods.' The Times Literary Supplement 'The contributors to the volume do not understand the term 'medieval Shakespeare' in either narrow or prescriptive ways. Rather it is taken as a point of departure in thinking about Shakespeare's language, his representation of history, his theatre practice, and his subsequent reception. The essays offer the reader a sense of the range, scope, and dynamism of current research, highlighting the ways in which 'medieval Shakespeare' can encompass and contain approaches as diverse as book history, performance history, the history of ideas, historiography, and historical linguistics.' David Salter, Cahiers Élisabéthains

'A fascinating dialogue between two literary periods.' The Times Literary Supplement

'A fascinating dialogue between two literary periods.' The Times Literary Supplement 'The contributors to the volume do not understand the term 'medieval Shakespeare' in either narrow or prescriptive ways. Rather it is taken as a point of departure in thinking about Shakespeare's language, his representation of history, his theatre practice, and his subsequent reception. The essays offer the reader a sense of the range, scope, and dynamism of current research, highlighting the ways in which 'medieval Shakespeare' can encompass and contain approaches as diverse as book history, performance history, the history of ideas, historiography, and historical linguistics.' David Salter, Cahiers Elisabethains

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Ruth Morse is professeur des universités at the Université Paris-Sorbonne-Cité. Her books include two edited volumes, Shakespeare, les français, les France (2008) and a volume of Great Shakespeareans; the monograph Truth and Convention in the Middle Ages: Rhetoric, Reality, and Representation (1991), and she is currently completing Imagined Histories: Fictions of the Past from Beowulf to Shakespeare. Helen Cooper is Professor of Medieval and Renaissance English at the University of Cambridge. Beginning with her Pastoral: Mediaeval into Renaissance (1978), she has published extensively across the periods, most recently with The English Romance in Time: Transforming Motifs from Geoffrey of Monmouth to the Death of Shakespeare (2004) and Shakespeare and the Medieval World (2010). Peter Holland is Associate Dean for the Arts, College of Arts and Letters and McMeel Family Professor in Shakespeare Studies at the University of Notre Dame. From 1997 to 2002 he was Director of the Shakespeare Institute, Stratford-upon-Avon and Professor of Shakespeare Studies at the University of Birmingham. He is Editor of Shakespeare Survey, co-General Editor with Stanley Wells of Oxford Shakespeare Topics and with Adrian Poole of the eighteen-volume series Great Shakespeareans.

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