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OverviewFull Product DetailsAuthor: Jaimie Baron (Associate Professor of Film Studies, Associate Professor of Film Studies, University of Alberta) , Jennifer Fleeger (Associate Professor in the Department of Media and Communication Studies, Associate Professor in the Department of Media and Communication Studies, Ursinus College) , Shannon Wong Lerner (Affiliate of HATCH, Affiliate of HATCH, the Mellon-funded Feminist Arts & Science Shop at UC Davis)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.80cm , Height: 2.10cm , Length: 16.20cm Weight: 0.549kg ISBN: 9780197563625ISBN 10: 0197563627 Pages: 304 Publication Date: 06 October 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsAuthor Information"Jaimie Baron, Associate Professor of Film Studies, University of Alberta, Jennifer Fleeger, Associate Professor, Department of Media and Communication Studies, Ursinus College, Shannon Wong Lerner, Affiliate of HATCH, the Mellon-funded Feminist Arts & Science Shop at UC Davis Jaimie Baron is an associate professor of film studies at the University of Alberta. She is the author of two books, The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020), and numerous journal articles and book chapters. She is the director of the Festival of (In)appropriation, a festival of short experimental found footage films and videos, and co-editor of the Docalogue website and book series. Jennifer Fleeger is an associate professor in the Department of Media and Communication Studies at Ursinus College where she coordinates the program in Film Studies. She has written about the voice in two books for Oxford University Press, Sounding American: Hollywood, Opera, and Jazz and Mismatched Women: The Siren's Song through the Machine. Shannon Wong Lerner is an affiliate at HATCH: the Mellon-funded Feminist Arts & Science Shop at UC Davis. She has written about breath, gender/sexuation, queerness, and voice in the chapter, ""All of My Work is Performance: Irigarayan Methods of Breath for Dance and Voice"" in Breathing with Luce Irigaray (2013). She has written and debuted a queer Asian Pacific Islander I play I Feel Bad That You Felt Bad/You Felt Bad That I Feel Bad, and an intersectional feminist operetta, No One Hurts You More Than S/Mother. She is the creator of Queer Home Meditation, an online community of LGBTQIA+ practitioners, host of the podcast The Intersection: Diverse Folx Converse, and co-hosts eFEMeral: Voice Matters. She regularly contributes her writing to open-source platforms such as Medium." Tab Content 6Author Website:Countries AvailableAll regions |
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