Maya Deren

Author:   Sarah Keller
Publisher:   Columbia University Press
ISBN:  

9781322526782


Publication Date:   01 January 2014
Format:   Electronic book text
Availability:   In stock   Availability explained
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Maya Deren


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Overview

Maya Deren (1917--1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films.Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.

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Author:   Sarah Keller
Publisher:   Columbia University Press
Imprint:   Columbia University Press
ISBN:  

9781322526782


ISBN 10:   1322526788
Publication Date:   01 January 2014
Audience:   General/trade ,  General
Format:   Electronic book text
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

Maya Deren: Incomplete Control is a tour-de-force of historical and critical scholarship that explores new primary research material from Maya Deren's voluminous and complex archive in order to assert the significance of incompletion and process as central to Deren's artistic and intellectual production. Keller's clear, erudite prose offers brilliant new readings of Deren's extant films, including canonical works like Meshes of the Afternoon, and comprehensively explores Deren's incomplete projects -- films, research projects, writings -- to draw out Deren's radical imaginings of art and culture.--Michael Zryd, York University


Author Information

Sarah Keller is assistant professor of English and cinema studies at Colby College. She is coeditor, with Jason Paul, of Jean Epstein: Critical Essays and New Translations.

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