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OverviewFull Product DetailsAuthor: Christine Sylvester (University of Lancaster, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.362kg ISBN: 9781138906464ISBN 10: 1138906468 Pages: 230 Publication Date: 24 August 2016 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: All those masquerades and wars Part I: Genres of masquerade 1. The armour of Hector: From the mediation of violence to its masquerade 2. Seems he a dove?': The masquerades of conscientious objection 3. Drawing the line between violence and non-violence in Gandhi and Fanon: Deceits and conceits 4. The foundational masquerade: Security as sociology of death 5. Masquerading Maoists and the politics of securitization in India 6. Syrian masquerades of war 7. The fangs behind the mask: Everyday life in wartime Chechnya Part II: International theaters of war and masquerade 8. Masquerading genocide in Patricia McCormick's Never Fall Down: Rehearsing, restaging, remembering, and critiquing Pol Pot time 9. Pain as masquerades/Masquerades as pain Part III: How the West masquerades war 10. Enlisting Madison Avenue: Contemporary war masquerading as a communication enterprise 11. Hiding in the light: Drawings of arms fairs 12. Research in the rape capital of the world: Multiple masquerades - a (semi) fictional account 13. Terror Wars: Boston/IraqReviews'How can we know war given that it is presented to us through a shifting kaleidoscope of masquerades, reflected, refracted though mostly obfuscated through mainstream social science? While the authors in this remarkable volume do not pretend to know war, their ability to lay bare the productive power behind the masquerade invites us to reappraise war's brutal materiality as it is mediated through cynical representation. In so doing, we are encouraged to side-step International Relations' typically sanitised renderings of war, where absently present bodies only ever haunt the dominant, yet shackled security narrative. Harnessing insights from performance theory, postcolonial literature, sociology, art and fiction, Professor Sylvester has collected a series of brilliantly insightful essays that take the idea of masquerade as their key point of departure. This highly readable collection from leading scholars in their respective fields troubles the institutionalised wellspring from which understandings of war invariably spring, and in turn, provides for spaces of uncomfortable, yet potent challenges to how we can know war in contemporary times.' -- Paul Higate, University of Bristol, UK 'War does not simply take place on the battlefield, nor is it confined to the moment of crisis. The power of war is that it has the capacity to permeate the everyday and the routine, impacting not just on international politics, but also on lived experience. Masquerades of War is a collection of essays that captures this complexity of war in all its manifestations, but especially as it impacts on experience. Sylvester and her colleagues place the lens on war as 'masquerade', highlighting the performativity of war, its manipulations and deceptions across different contexts, from Iraq to Sierra Leone to the neighbourhoods of urban spaces. A profoundly significant book that deserves the attention of all scholars interested in understanding the phenomenon of war.' -- Vivienne Jabri, King's College London, UK 'How can we know war given that it is presented to us through a shifting kaleidoscope of masquerades, reflected, refracted though mostly obfuscated through mainstream social science? While the authors in this remarkable volume do not pretend to know war, their ability to lay bare the productive power behind the masquerade invites us to reappraise war's brutal materiality as it is mediated through cynical representation. In so doing, we are encouraged to side-step International Relations' typically sanitised renderings of war, where absently present bodies only ever haunt the dominant, yet shackled security narrative. Harnessing insights from performance theory, postcolonial literature, sociology, art and fiction, Professor Sylvester has collected a series of brilliantly insightful essays that take the idea of masquerade as their key point of departure. This highly readable collection from leading scholars in their respective fields troubles the institutionalised wellspring from which understandings of war invariably spring, and in turn, provides for spaces of uncomfortable, yet potent challenges to how we can know war in contemporary times.' -- Paul Higate, University of Bristol, UK 'War does not simply take place on the battlefield, nor is it confined to the moment of crisis. The power of war is that it has the capacity to permeate the everyday and the routine, impacting not just on international politics, but also on lived experience. Masquerades of War is a collection of essays that captures this complexity of war in all its manifestations, but especially as it impacts on experience. Sylvester and her colleagues place the lens on war as 'masquerade', highlighting the performativity of war, its manipulations and deceptions across different contexts, from Iraq to Sierra Leone to the neighbourhoods of urban spaces. A profoundly significant book that deserves the attention of all scholars interested in understanding the phenomenon of war.' -- Vivienne Jabri, King's College London, UK ‘How can we know war given that it is presented to us through a shifting kaleidoscope of masquerades, reflected, refracted though mostly obfuscated through mainstream social science? While the authors in this remarkable volume do not pretend to know war, their ability to lay bare the productive power behind the masquerade invites us to reappraise war’s brutal materiality as it is mediated through cynical representation. In so doing, we are encouraged to side-step International Relations’ typically sanitised renderings of war, where absently present bodies only ever haunt the dominant, yet shackled security narrative. Harnessing insights from performance theory, postcolonial literature, sociology, art and fiction, Professor Sylvester has collected a series of brilliantly insightful essays that take the idea of masquerade as their key point of departure. This highly readable collection from leading scholars in their respective fields troubles the institutionalised wellspring from which understandings of war invariably spring, and in turn, provides for spaces of uncomfortable, yet potent challenges to how we can know war in contemporary times.’ -- Paul Higate, University of Bristol, UK 'War does not simply take place on the battlefield, nor is it confined to the moment of crisis. The power of war is that it has the capacity to permeate the everyday and the routine, impacting not just on international politics, but also on lived experience. Masquerades of War is a collection of essays that captures this complexity of war in all its manifestations, but especially as it impacts on experience. Sylvester and her colleagues place the lens on war as ‘masquerade’, highlighting the performativity of war, its manipulations and deceptions across different contexts, from Iraq to Sierra Leone to the neighbourhoods of urban spaces. A profoundly significant book that deserves the attention of all scholars interested in understanding the phenomenon of war.' -- Vivienne Jabri, King’s College London, UK Author InformationChristine Sylvester is Professor of Political Science and of Women's Studies at the University of Connecticut, USA. She is also an affiliated professor in the School of Global Studies, University of Gothenburg, Sweden. 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