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OverviewThe twelve essays by Kendall Walton in this volume address a broad range of theoretical issues concerning the arts. Many of them apply to the arts generally-to literature, theater, film, music, and the visual arts-but several focus primarily on pictorial representation or photography. In ""'How Marvelous!': Toward a Theory of Aesthetic Value"" Walton introduces an innovative account of aesthetic value, and in this and other essays he explores relations between aesthetic value and values of other kinds, especially moral values. Two of the essays take on what has come to be called imaginative resistance-a cluster of puzzles that arise when works of fiction ask us to imagine or to accept as true in a fiction moral propositions that we find reprehensible in real life. ""Transparent Pictures"", Walton's classic and controversial account of what is special about photographic pictures, is included, along with a new essay on a curious but rarely noticed feature of photographs and other still pictures-the fact that a depiction of a momentary state of an object in motion allows viewers to observe that state, in imagination, for an extended period of time. Two older essays round out the collection-another classic, ""Categories of Art"", and a less well known essay, ""Style and the Products and Processes of Art"", which examines the role of appreciators' impressions of how a work of art came about, in understanding and appreciation. None of the reprinted essays is abridged, and new postscripts have been added to several of them. Full Product DetailsAuthor: Kendall Walton (Charles Stevenson Collegiate Professor of Philosophy, Charles Stevenson Collegiate Professor of Philosophy, University of Michigan)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 15.50cm , Height: 1.50cm , Length: 23.10cm Weight: 0.386kg ISBN: 9780195177954ISBN 10: 0195177959 Pages: 272 Publication Date: 01 May 2008 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents"Introduction Part I: Aesthetic and Moral Values 1: ""How Marvelous"": Toward a Theory of Aesthetic Value Postscripts to ""How Marvelous!"" 2: The Test of Time 3: Morals in Fiction and Fictional Morality 4: On the (So-Called) Puzzle of Imaginative Resistance Part II: Pictures and Photographs 5: Pictures & Hobby Horses: Make-Believe Beyond Childhood 6: Transparent Pictures: On the Nature of Photographic Realism Postscripts to ""Transparent Pictures"" 7: On Pictures & Photographs: Objections Answered 8: Seeing In and Seeing Fictionally 9: Depiction, Perception, & Imagination: Responses to Richard Wollheim 10: Experiencing Still Photographs: What Do You See and How Long Do You See It? Part III: Categories and Styles 11: Categories of Art 12: Style and the Products and Processes of Art"Reviews""The collection of these essays in a single volume provides insight not just into important questions in aesthetics over the past twenty years, but into the intellectual development of one of the subject's key contributors. Together with its forthcoming companion volume, this book will be indispensable to specialists in aesthetics as well as to those seeking an overview of Walton's ideas."" --Philosophy in Review ""...this collection, together with Mimesis (and, I expect, the forthcoming companion volume), will constitute a 'must have' trio, not only for connoisseurs of Walton's philosophy, but as well for those of us who are fascinated by the dynamics exhibited by the careers of people who are the very best at what they do.""--Scott Walden, Notre Dame Philosophical Reviews The collection is indeed a joy to read... Each essay gives the tangible impression hearing an outstanding philosopher in direct engagement with the issues... For all the freshness and directness of style, there is an extraordinary level of subtle nuance and fine distinction... It is a principal conclusion of the opening chapter, which gives the collection its title, that a distinctive mark of aesthetic pleasure is the fact we take pleasure, not just in the object itself, but also in our admiration for the object. Just such a pleasure will be occasioned by this admirable volume. Marvelous indeed. Ian Ground, Philosophy Author InformationKendall Walton turned to philosophy as an undergraduate at Berkeley, after considering a career in music. He received his PhD from Cornell University in 1967, and has taught at the University of Michigan since then. His extensive writings on aesthetics include the groundbreaking, Mimesis as Make-Believe (1990). He is a fellow of the American Academy of Arts and Sciences and a past president of the American Society for Aesthetics. Tab Content 6Author Website:Countries AvailableAll regions |
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