Overview

Take a colorful walk through human ingenuity. Humans have been unpacking the earth to use pigments since cavemen times. Starting out from surface pigments for cave paintings, we’ve dug deep for minerals, mined oceans for colors and exploited the world of plants and animals. Our accidental fumbles have given birth to a whole family of brilliant blues that grace our museums, mansions and motorcars. We’ve turned waste materials into a whole rainbow of tints and hues to color our clothes, our food and ourselves. With the snip of a genetic scissor, we’ve harnessed bacteria to gift us with “greener” blue jeans and dazzling dashikis. As the pigments march on into the future, who knows what new and exciting inventions will emerge? Mary Virginia Orna, a world-recognized expert on color, will lead you through an illuminating journey exploring the science behind pigments. Pausing for reflections en route to share stories around pigment use and discoveries informed by history, religion, sociology and human endeavour, this book will have you absorbing science and regaling tales.  Jam packed with nuggets of information, March of the Pigments will have the curiously minded and the expert scientist turning pages to discover more.

Full Product Details

Author:   Mary Virginia Orna (ChemSource, Inc., USA)
Publisher:   Royal Society of Chemistry
Imprint:   Royal Society of Chemistry
Weight:   0.838kg
ISBN:  

9781839163159

ISBN 10:   1839163151
Pages:   500
Publication Date:   23 May 2022
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Dissecting Daylight: How We See Color; Dark Unfathom’d Caves: The Earliest Cultural Use of Color; Body Art in All Its Parts: Cosmetics Gone Wild; The Tombs of the Pharaohs: Egypt’s Legacy to Civilization; Buried Treasure: The Earth Yields Up its Secrets; Purveyors of Purple: The Oceans’ Gift to the World of Color; In the Shadow of Vesuvius: A Window on the Ancient Palette; Monastery Mysteries: Illuminating the Dark Ages; Botticell’s Bottega: The Glory of the Renaissance; Aztec Red and Maya Blue: Secrets of the New World; Alchemical Anomalies: Accidents Will Happen; Out of the Depths: Synthetic Colors From the Coal Tar Industry; Monet’s Garden: Impressionist Innovation and Beyond; The Forest Primeval: Arboreal Bounty; Dr. Ehrlich Meets the Poison Squad: Pigments in Food and Medicine; An Evolving Universe: The Pigments March On

Reviews

Paleolithic Cave Art is well-written, covered thoroughly, and a pleasure to read. I found the whole chapter to be full of interesting and fascinating information. -- David Hart, University of Central Oklahoma I loved the mix of exploring ancient pigments and then utilizing modern techniques to unravel the puzzles. I really liked how you wove into the fabric of the text, your experiences and analyses. That made me as a reader feel that the author knows first-hand what she is writing about. -- Larry Krannich, Executive Director, Alabama Academy of Science, University of Alabama at Birmingham Very few if any books, however, discuss color and pigments in a unified way, placing pigments in a cultural context and examining their materiality. Mary Virginia Orna's March of the Pigments goes a long way towards filling that gap. This pedagogically versatile book consists of sixteen thorough, accessible and extensively researched chapters. They take the reader from the deep unrecorded past, through successive periods of history to the present, and even offer a glimpse of future pigment technology. An important feature of the book is its versatility as a potential source of reading material for courses at various levels, ranging from the undergraduate chemistry curriculum to special topics in cultural heritage science. Each chapter can be read and appreciated independently of the others. The wealth and appropriate contextualization of factual information and the extensive list of references make this book an indispensable resource for both educators and researchers. -- Nicholas Zumbulyadis, Department of Chemistry and Biochemistry, University of Delaware, USA * http://acshist.scs.illinois.edu/bulletin/bull22-vol47-3.php *

Paleolithic Cave Art is well-written, covered thoroughly, and a pleasure to read. I found the whole chapter to be full of interesting and fascinating information. -- David Hart, University of Central Oklahoma Very few if any books, however, discuss color and pigments in a unified way, placing pigments in a cultural context and examining their materiality. Mary Virginia Orna’s March of the Pigments goes a long way towards filling that gap. This pedagogically versatile book consists of sixteen thorough, accessible and extensively researched chapters. They take the reader from the deep unrecorded past, through successive periods of history to the present, and even offer a glimpse of future pigment technology. An important feature of the book is its versatility as a potential source of reading material for courses at various levels, ranging from the undergraduate chemistry curriculum to special topics in cultural heritage science. Each chapter can be read and appreciated independently of the others. The wealth and appropriate contextualization of factual information and the extensive list of references make this book an indispensable resource for both educators and researchers. -- Nicholas Zumbulyadis, Department of Chemistry and Biochemistry, University of Delaware, USA * http://acshist.scs.illinois.edu/bulletin/bull22-vol47-3.php * I loved the mix of exploring ancient pigments and then utilizing modern techniques to unravel the puzzles. I really liked how you wove into the fabric of the text, your experiences and analyses. That made me as a reader feel that the author knows first-hand what she is writing about. -- Larry Krannich, Executive Director, Alabama Academy of Science, University of Alabama at Birmingham The unexpected combination of an enlightening and conversational approach to the science behind the study of pigments is refreshing and intriguing. A science trained reader would usually expect a more straightforward analysis with a technical approach to the subject but because of your lighthearted commentaries interspersed with the science, history and even magic of color in human life, one could lay the chapter before a person and expect her/him to be as intrigued as I was. -- Karen Hart, Oklahoma City University

Paleolithic Cave Art is well-written, covered thoroughly, and a pleasure to read. I found the whole chapter to be full of interesting and fascinating information. -- David Hart, University of Central Oklahoma I loved the mix of exploring ancient pigments and then utilizing modern techniques to unravel the puzzles. I really liked how you wove into the fabric of the text, your experiences and analyses. That made me as a reader feel that the author knows first-hand what she is writing about. -- Larry Krannich, Executive Director, Alabama Academy of Science, University of Alabama at Birmingham

Paleolithic Cave Art is well-written, covered thoroughly, and a pleasure to read. I found the whole chapter to be full of interesting and fascinating information. -- David Hart, University of Central Oklahoma Very few if any books, however, discuss color and pigments in a unified way, placing pigments in a cultural context and examining their materiality. Mary Virginia Orna's March of the Pigments goes a long way towards filling that gap. This pedagogically versatile book consists of sixteen thorough, accessible and extensively researched chapters. They take the reader from the deep unrecorded past, through successive periods of history to the present, and even offer a glimpse of future pigment technology. An important feature of the book is its versatility as a potential source of reading material for courses at various levels, ranging from the undergraduate chemistry curriculum to special topics in cultural heritage science. Each chapter can be read and appreciated independently of the others. The wealth and appropriate contextualization of factual information and the extensive list of references make this book an indispensable resource for both educators and researchers. -- Nicholas Zumbulyadis, Department of Chemistry and Biochemistry, University of Delaware, USA * http://acshist.scs.illinois.edu/bulletin/bull22-vol47-3.php * I loved the mix of exploring ancient pigments and then utilizing modern techniques to unravel the puzzles. I really liked how you wove into the fabric of the text, your experiences and analyses. That made me as a reader feel that the author knows first-hand what she is writing about. -- Larry Krannich, Executive Director, Alabama Academy of Science, University of Alabama at Birmingham

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