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OverviewFull Product DetailsAuthor: Erdem ÇolakPublisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Visual Arts ISBN: 9781350375802ISBN 10: 1350375802 Pages: 248 Publication Date: 04 April 2024 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsList of Figures and Tables Acknowledgements Introduction Part One: Manifesta and “The East of the West” (Manifesta 1 – Manifesta 3) 1. Globalization, Manifesta and the “East of the West” 2. Institutional, Infrastructural and Discursive Backdrop for Manifesta 3. Curatorial and Artistic Strategies of Manifesta in Its First Decade Part Two: Branding Regions Through Manifesta (Manifesta 4 – Manifesta 9) 4. New Regionalism, Creative Cities and Manifesta 5. Manifesta’s Interests in its Second Decade: The Urban and Education 6. Curatorial and Artistic Strategies of Manifesta in its Second Decade Part Three: Safety First: Manifesta’s Flight to Non-EU Territories (Manifesta 10 – Manifesta 11) 7. Manifesta’s “Second Eastern Expedition” to St. Petersburg 8. What People, Contemporary Art Biennials and Municipalities Do for Money? The Case of Manifesta 11 - Zurich Part Four: Manifesta and the Urban – Vol. II (Manifesta 12 – Manifesta 14) 9. Revitalizing Cities Through Art Conclusion Summary Appendices References NotesReviewsAdopting a convincing interdisciplinary methodology, Erdem ?olak provides a meticulously researched evaluation of Manifesta. With great authority and insight, he navigates not only the fault-lines of an emergent ‘new Europe’ as place but also the place of art within that continuing process. * Nicolas Whybrow, Emeritus Professor of Urban Performance Studies, University of Warwick, UK * We’ve waited nearly twenty years for a newly dedicated exploration of Manifesta and how it reshaped the terrain of contemporary art in Europe. Çolak fills that gap with a book at once critical and caring of this landmark institution, and a timely exploration of biennial culture since the 1990s. * Anthony Gardner, Professor of Contemporary Art History, University of Oxford, UK * Pulling back the curtain on Manifesta, political scientist Erdem Çolak offers a clear-eyed, data-driven dive into the show’s “art–politics–commerce triangle” over time. The author makes a compelling argument for Manifesta as a carrier of neoliberal consensus – defining European-ness through scaled effects, as individual artworks, curatorial solidarities, and urban alterations leave their mark on the future. * Caroline A. Jones, Associate Dean, MIT School of Architecture and Planning, USA, and author of The Global Work of Art (2016) * Author InformationErdem Çolak is an artist and a lecturer in the Department of Political Science and Public Administration at Middle East Technical University, Turkey. Tab Content 6Author Website:Countries AvailableAll regions |