Overview

Full Product Details

Author:   Tim Anderson
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.460kg
ISBN:  

9780415890632

ISBN 10:   0415890632
Pages:   212
Publication Date:   13 January 2014
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction 1. Enter The End User: A New Audience for A New Media 2. Why Don’t We Give it Away?: The Value of Free for a New Music Industry 3. Retail Climate Change: From Selling Music to Selling a Service 4. Opening Pandora’s Box: The Problematic Promise of Radio on the Internet 5. Radio on the TV: Music Supervision Taken Seriously 6. In a Land of 360 deals a 1,000 True Fans Can’t Be Wrong: Financing the Social Musician and Online Relationships Conclusion

Reviews

Anderson's book is a great guide for this new world. In his book, he draws on a wide range of examples from Moby and Lupe Fiasco to Amanda Palmer and Jonathan Coulton. He also introduces readers to the role that music supervisors, such as Alexandra Pastavas, are playing in film and television. --Richard Schur, Drury University, New Books in Music

Author Information

Tim J. Anderson is an Assistant Professor in the Department of Communication and Theater Arts at Old Dominion University, US.

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