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OverviewThe words “Asian American film” might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the “PBS style” unites these filmmakers, whether they are working within that system or setting themselves in opposition to its conventions. Making Asian American Film and Video explores how the genre has served as a flashpoint for debates about what constitutes Asian American identity. Tracing a history of how Asian American film was initially conceived as a form of public-interest media, part of a broader effort to give voice to underrepresented American minorities, Okada shows why this seemingly well-intentioned project inspired deeply ambivalent responses. In addition, she considers a number of Asian American filmmakers who have opted out of producing state-funded films, from Wayne Wang to Gregg Araki to Justin Lin. Okada gives us a unique behind-the-scenes look at the various institutions that have bankrolled and distributed Asian American films, revealing the dynamic interplay between commercial and state-run media. More than just a history of Asian Americans in film, Making Asian American Film and Video is an insightful meditation on both the achievements and the limitations of institutionalized multiculturalism. Full Product DetailsAuthor: Jun OkadaPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.30cm , Length: 22.90cm Weight: 0.286kg ISBN: 9780813565019ISBN 10: 0813565014 Pages: 180 Publication Date: 06 March 2015 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgmentsIntroduction: The Shared History of Asian American Film and Video and Public Interest MediaChapter 1: “Noble and Uplifting and Boring as Hell”: Asian American Film and Video, 1971–1982Chapter 2: The Center for Asian American Media and the Televisual Public SphereChapter 3: Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle Over Positive/Negative ImagesChapter 4: Dismembered from History: The Counternostalgia of Gregg ArakiChapter 5: Better Luck Tomorrow and the Transnational Reframing of Asian American Film and VideoChapter 6: Post–Asian American Feature Film: The Persistence of Institutionality in Finishing the Game: The Search for a New Bruce Lee and American ZombieAfterwordNotesBibliographyIndexReviewsMaking Asian American Film and Video tells the fascinating and significant story of the emergence of Asian American film and video within the wider media culture of the United States. --Gina Marchetti author of The Chinese Diaspora on American Screens: Race, Sex, and Cinema A first-of-its-kind study of Asian American cinema's productive and sometimes uncomfortable relationship to institutional definitions of 'Asian America.' -- Film Quarterly Both a hip guide to movies for your queue and an incisive commentary on the ways we (filmgoers, critics, TV executives, and others) use movies and TV to talk about race, sex, and class. Okada makes Asian American film fun again. --Peter X Feng author of Identities in Motion: Asian American Film and Video Institutional context provides Okada with the framework for her illuminating study of Asian American filmmaking from its roots in the early 1970s to the present. -- Choice Okada has written a very important book. The historical reach, the diversity of texts, and the expansive engagement with filmic influences make it possible for her to take an inventory of Asian American film and video in the second decade of the twenty-first century and wonder what might be possible for the future of Asian American film and video. -- Cinema Journal Making Asian American Film and Video tells the fascinating and significant story of the emergence of Asian American film and video within the wider media culture of the United States. --Gina Marchetti author of The Chinese Diaspora on American Screens: Race, Sex, and Cinema Author InformationJUN OKADA is an assistant professor of English and director of film studies at the State University of New York, Geneseo. Tab Content 6Author Website:Countries AvailableAll regions |
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